Mongolia
late 18th - early 19th century
Mongolia
late 18th - early 19th century
Begtse Chen is one of the main protectors of the Geluk School of Tibetan Buddhism and especially revered in Mongolia. He is named for the great copper coat of mail he wears, which is prominently featured in this dynamic sculpture. Here he is also shown wielding a sword with a scorpion handle, and his left hand once held a heart up to his gaping mouth.Movement is suggested not only by his stance but also the ends of his garment swirling in all directions and his hair standing on end, simulating flames in both form and color. Begtse’s face bears an extremely wrathful expression, including features that compare well to eighteenth-century central-Tibetan paintings of this deity. However, the rather simplified attachment of his copper cuirass, facial features, stylized hair, and strong relationship to the region, all suggest that this sculpture is Mongolian in origin.
A religious movement that originated in India around the fifth to seventh century with sacred writings and esoteric teachings and practices transmitted from teacher to student through initiation. These remain an important part of Hinduism and Buddhism today.
A virtuous feeling and deep respect toward an authentic teaching, teacher, or path. Buddhists believe that expansive study, analysis, and meditation are essential steps for cultivating a healthy and enduring devotion.
A contemplative practice in which a person uses concentration and visualization to achieve aims such as transforming the mind and generating feelings of compassion. Techniques include focusing on breathing or visualizing oneself as a deity.
Protectors of Buddhist teachings who destroy obstacles that impede the path to enlightenment. The more frightening and gruesome their appearance, the greater their power.
Mongolians have been widely active in the Tibetan Buddhist world, playing a key role in Tibetan culture, politics, and relations with China. In the 13th century, the Mongol Empire—the largest contiguous empire in world history—facilitated the spread of Tibetan visual culture.
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