This hammer, finely worked in the difficult damascene technique of inlaying gold and silver decoration, draws on an archaic vocabulary of Chinese designs and an ancient seal-script style reign mark that records its creation in the workshops of the early fifteenth-century Ming-dynasty emperor Yongle. Hammers such as this are used in rituals to drive pegs, delineating the ritual space and symbolically controlling both internal and external hindrances to spiritual accomplishment.

Artwork Details

Title
Ritual Hammer
Dimensions
3 7/8 × 15 7/8 × 1 7/8 in. (estimated)
Medium
Iron, gold, and silver
Origin
China
Classification(s)
ritual objects
Date
1403-1424
Credit Line
Rubin Museum of Himalayan Art
Object number
C2005.16.7

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Ritual

Concepts

Prescribed practices that carry symbolic meaning and value within a specific tradition and are intended to attain a desired outcome. Rituals are usually done as part of a ceremony or regular routine.

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Tantrism

Concepts

A religious movement that originated in India around the fifth to seventh century with sacred writings and esoteric teachings and practices transmitted from teacher to student through initiation. These remain an important part of Hinduism and Buddhism today. 

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Chinese Regions

Region

Although Tibetan Buddhism was not practiced broadly in China, the imperial centers, such as Beijing and Mount Wutai, emerged as hubs of Tibetan Buddhist cultural production. The emperors of the Mongol Yuan (1271–1368), Chinese Ming (1368–1644), and Manchu Qing (1644–1911) dynasties harnessed Tibetan Buddhist ideas to consolidate their power.

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