Artwork Details

Title
Siddhi Lakshmi
Dimensions
24 7/8 × 21 1/8 in. (estimated)
Medium
Pigments on cloth
Origin
Nepal
Classification(s)
paintings scroll painting
Date
dated by inscription, 1694
Credit Line
Rubin Museum of Himalayan Art
Object number
C2006.42.1
Bibliography
HAR Number
89039
Published references
  • Sotheby's, The Jucker Collection of Himalayan Paintings. New York: March 28, 2006. Lot 14.
  • Hugo E. Kreijger, Kathmandu Valley Painting, The Jucker Collection (Boston, 1999), 60, no. 17.
  • Gautamavajra Vajracarya, Nepalese Seasons: Rain and Ritual (Rubin Museum of Art, 2016), 54-57, 189-190, fn. 199, cat. 11.
  • Gautama V. Vajracharya, "Kirtimukha, the Serpentine Motif, and Garuda: The Story of a Lion That Turned into a Big Bird,” Artibus Asiae LXXIV, no. 2 (2014): 311-333. fig. 25.
Research:
  • Dr. Sondra Hausner research for "From the Lands of the Gods" exhibition (unpublished).

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Ritual

Concepts

Prescribed practices that carry symbolic meaning and value within a specific tradition and are intended to attain a desired outcome. Rituals are usually done as part of a ceremony or regular routine.

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Power

Concepts

A kind of energy that can be used, individually and collectively, to effect change.

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Gender

Concepts

In Buddhism gender is considered more fluid compared to some other religions. Certain traditions emphasize the importance of all genders in achieving enlightenment. The feminine is considered an embodiment of wisdom and the masculine is an embodiment of method.

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Hindu Gods and Goddesses

Figure Type

Hindu gods (deva) are thought to be manifestations of the absolute, or Brahman. The goddesses (devi) are considered manifestations of the Great Mother Goddess (Mahadevi), who is seen as the counterpart to Brahman.

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Nepalese Regions

Region

The Himalayan kingdoms of the Kathmandu Valley were significant centers of Buddhist culture. Nepalese kings, Buddhist institutions, and ordinary people patronized the vibrant art guilds. The artistic traditions of the regions are well-known in Tibetan areas and beyond, and Newar artists have always been in high demand throughout Tibetan regions and Inner Asia.

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