Artwork Details

Title
Ekajati
Dimensions
73 1/2 × 38 5/8 × 1/2 in.
Medium
Pigments on cloth
Origin
Bhutan
Classification(s)
paintings
Date
19th century
Credit Line
Rubin Museum of Himalayan Art
Object number
C2006.42.10
HAR Number
89181
Published references
  • Sotheby's, The Jucker Collection of Himalayan Paintings. New York: March 28, 2006. Lot 126.
  • Hugo E. Kreijger, Tibetan Painting, The Jucker Collection (Shambhala, 2001), 131, no. 49.
  • Ariana Maki, "In the Dragon’s Wake: Bhutanese Art in the RMA Collection,” Arts of Asia 40, no. 2 (2010): 112, fig. 15.
  • Susanne Faller, Dissertation (May 2018), 285, https://publikationen.uni-tuebingen.de/xmlui/handle/10900/81957.

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Tantrism

Concepts

A religious movement that originated in India around the fifth to seventh century with sacred writings and esoteric teachings and practices transmitted from teacher to student through initiation. These remain an important part of Hinduism and Buddhism today. 

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Power

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A kind of energy that can be used, individually and collectively, to effect change.

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Devotion

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A virtuous feeling and deep respect toward an authentic teaching, teacher, or path. Buddhists believe that expansive study, analysis, and meditation are essential steps for cultivating a healthy and enduring devotion.

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Wrathful Deities

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Protectors of Buddhist teachings who destroy obstacles that impede the path to enlightenment. The more frightening and gruesome their appearance, the greater their power.

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Bhutan

Region

Bhutan’s earliest Buddhist temples were built in the 7th century, around the same time Buddhism was introduced in Tibet. In the 17th century, Mongol-backed Geluk authorities drove many Kagyu teachers from Tibet to Bhutanese areas. The Drukpa Kagyu teacher Zhabdrung Ngawang Namgyel (1594–1651) unified these regions and established a system of government.

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