Nepal
17th or 18th century
Nepal
17th or 18th century
The Kathmandu Valley is famous for the custom of worshipping a chosen young girl as the goddess Kumari. Her devotees believe she is the same as the adult goddess Kaumari, who assisted Durga in her fight with a demon (see for instance C2005.16.11). Here the four-armed youthful goddess stands in a militant posture. She sprinkles alcohol from the cup she holds as an act of blessing. This sculpture is a magnificent example of repoussé, a technique in which three-dimensional forms are hammered from a flat sheet of copper. Along with lost-wax casting, it is one of the two metalworking techniques for which Newari craftsman are famous.
In Buddhism gender is considered more fluid compared to some other religions. Certain traditions emphasize the importance of all genders in achieving enlightenment. The feminine is considered an embodiment of wisdom and the masculine is an embodiment of method.
A virtuous feeling and deep respect toward an authentic teaching, teacher, or path. Buddhists believe that expansive study, analysis, and meditation are essential steps for cultivating a healthy and enduring devotion.
Hindu gods (deva) are thought to be manifestations of the absolute, or Brahman. The goddesses (devi) are considered manifestations of the Great Mother Goddess (Mahadevi), who is seen as the counterpart to Brahman.
The Himalayan kingdoms of the Kathmandu Valley were significant centers of Buddhist culture. Nepalese kings, Buddhist institutions, and ordinary people patronized the vibrant art guilds. The artistic traditions of the regions are well-known in Tibetan areas and beyond, and Newar artists have always been in high demand throughout Tibetan regions and Inner Asia.
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