Buddha Vajradhara represents the Buddha’s “body” of the Dharma—or the ultimate truth—and is considered the form of the Buddha in which he taught esoteric tantric teachings. Tibetan Buddhists received these teachings during the later transmission of Buddhism from India in the tenth to thirteenth century. Although the large figure of dark blue Vajradhara is in the center of this composition, the main subject is the great tantric masters (mahasiddhas) of India, each identified by a Tibetan inscription.This painting is the central one in a set of three depicting the Eighty-Four Great Mahasiddhas.Another painting, featuring the Indian master Atisha, also surrounded by mahasiddhas, includes an image of a donor, or the donor’s teacher, whose hat is similar to those of Panchen Lamas and other important hierarchs of the Geluk tradition.

Artwork Details

Title
Vajradhara with Twenty-Five Mahasiddhas
Dimensions
43 x 1/2 x 24 1/2 in. (109.2 x 1.3 x 62.2 cm)
Medium
Pigments on cloth
Origin
Tibet
Classification(s)
scroll painting paintings
Date
18th century
Credit Line
Rubin Museum of Himalayan Art, Gift of Shelley and Donald Rubin
Object number
C2006.66.504
Currently On View
At the Brooklyn Museum, “Rubin Museum Tibetan Buddhist Shrine Room”
HAR Number
972
Published references
  • Rob Linrothe, Holy Madness: Portraits of Tantric Siddhas. (New York: Rubin Museum of Art; Chicago: Serindia Publications, 2006). Catalog No.17; Pp. 225, 227, 229, 231-233, 263, 268, 285, 317.
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    Tibetan Regions

    Region

    Today, Tibetans primarily inhabit the Tibetan Plateau, situated between the Himalayan mountain range and the Indian subcontinent to the west, Chinese cultural regions to the east, and Mongolian cultural regions to the northeast. During the 7th to 9th century, Tibetan rulers expanded their empire across Central Asia, and established Buddhism as the state religion.

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