Tsherin Sherpa trained in traditional thangka painting beginning at a young age and worked as a professional thangka painter early in his career. His recent contemporary art practice integrates traditional aesthetic and symbolic principles with fantastical motifs and juxtapositions. In this work two bodhisattvas face each other wearing gas masks and stand in front of a skull filled with smaller colorful skulls. The work confronts the disparities between notions of death in Tibetan Buddhism and Western cultures, since in the Tibetan Buddhist tradition death is not feared but accepted and attachment to the ego is seen as the ultimate obstacle to enlightenment. The bodhisattvas in Sherpa’s work wear traditional ornaments and garb, but in contrast to a more conventional portrayal of these figures who have compassionately delayed their own enlightenment for humankind, here they appear as soldiers prepared for battle, with their muscles flexed and fists clenched. The work seems to ask what kinds of obstacles bodhisattvas must conquer in the modern age in order for humankind to attain enlightenment.

Artwork Details

Title
Untitled
Artist
Tsherin Sherpa
Dimensions
37 1/8 × 30 1/8 in.
Medium
Gouache, acrylic and gold leaf on museum board
Classification(s)
paintings
Date
2010
Credit Line
Rubin Museum of Himalayan Art
Object number
SC2010.31

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Compassion

Concepts

The cultivation of a strong aspiration to help sentient beings overcome suffering. In Buddhist Mahayana teaching, compassion is the seed for attaining full enlightenment.  

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Secular Goals

Concepts

While the primary religious goal for followers of Buddhism is enlightenment, many of the practices also serve secular goals related to daily life, including ethical conduct and cultivating well-being.

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Nepalese Regions

Region

The Himalayan kingdoms of the Kathmandu Valley were significant centers of Buddhist culture. Nepalese kings, Buddhist institutions, and ordinary people patronized the vibrant art guilds. The artistic traditions of the regions are well-known in Tibetan areas and beyond, and Newar artists have always been in high demand throughout Tibetan regions and Inner Asia.

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