Tsherin Sherpa
2010
Tsherin Sherpa
2010
Tsherin Sherpa trained in traditional thangka painting beginning at a young age and worked as a professional thangka painter early in his career. His recent contemporary art practice integrates traditional aesthetic and symbolic principles with fantastical motifs and juxtapositions. In this work two bodhisattvas face each other wearing gas masks and stand in front of a skull filled with smaller colorful skulls. The work confronts the disparities between notions of death in Tibetan Buddhism and Western cultures, since in the Tibetan Buddhist tradition death is not feared but accepted and attachment to the ego is seen as the ultimate obstacle to enlightenment. The bodhisattvas in Sherpa’s work wear traditional ornaments and garb, but in contrast to a more conventional portrayal of these figures who have compassionately delayed their own enlightenment for humankind, here they appear as soldiers prepared for battle, with their muscles flexed and fists clenched. The work seems to ask what kinds of obstacles bodhisattvas must conquer in the modern age in order for humankind to attain enlightenment.
Tsherin Sherpa was born in Kathmandu, Nepal, in 1968, and currently lives and works between California and Nepal. From the age of 13, he was trained in traditional Tibetan thangka painting by his father, Master Urgen Dorje. In 1998, Sherpa immigrated to California, where he taught traditional thangka painting until he began to explore his own style, drawing on the visual vocabulary of thangka painting to create artworks that incorporate Buddhist iconography and pop-culture references. His works offer an interplay and juxtaposition between sacred/secular, traditional/contemporary, and settlement/movement. Sherpa’s practice stems from his personal experiences within the Himalayan diaspora, as well as the nomadic history of Himalayan peoples. Sherpa has participated in numerous exhibitions in Asia, Europe, and the US, including representing Nepal for its inaugural participation at the Venice Biennale in 2022. His works are in major museum collections. In February 2022, the Virginia Museum of Fine Arts presented his first museum, mid-career retrospective.
While the primary religious goal for followers of Buddhism is enlightenment, many of the practices also serve secular goals related to daily life, including ethical conduct and cultivating well-being.
The cultivation of a strong aspiration to help sentient beings overcome suffering. In Buddhist Mahayana teaching, compassion is the seed for attaining full enlightenment.
The Himalayan kingdoms of the Kathmandu Valley were significant centers of Buddhist culture. Nepalese kings, Buddhist institutions, and ordinary people patronized the vibrant art guilds. The artistic traditions of the regions are well-known in Tibetan areas and beyond, and Newar artists have always been in high demand throughout Tibetan regions and Inner Asia.
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