Most of what we know of this painting tradition belongs to its 18th-century revival fostered by the great scholar-painter Situ Panchen (1700–1774) in Kham Province, eastern Tibet, with its new artistic center at his monastic seat, Palpung. Even more important to the history of Tibetan art than Situ Panchen’s role as a painter is his role as a patron and designer of paintings, many of which continue to be copied to this day. For the first time anywhere, this exhibition traces the career and artistic legacy of one of the great patrons and artists in Tibetan history.

CuratorCurator

Headshot of Karl Debreczeny

Karl Debreczeny is senior curator, collections and research, at the Rubin Museum of Himalayan Art. His research focuses on artistic, religious, and political exchanges between the Tibetan and Chinese traditions. His publications include The Black Hat Eccentric: Artistic Visions of the Tenth Karmapa (2012) and the coedited The Tenth Karmapa and Tibet’s Turbulent Seventeenth Century (2016). More →

David Jackson is a former curator at the Rubin Museum of Art. He is the author of A Saint in Seattle, Tibetan Thangka Painting, and A History of Tibetan Painting.

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