The Wuzhu Muqin’s harmonious relationship with nature has allowed the ecologically fragile grasslands to survive for thousands of years, while the grasslands in turn have helped to preserve the distinctive traditions of nomadic life by sustaining herds. However, since the mid-20 century, much of the grasslands have been reduced to desert by overcultivation of fragile soils, overgrazing, poor governmental management, and meager irrigation. As the fertile natural environment disappears, so does the culture it supports. Hence, these nomads’ traditional way might not survive another generation.

Born in 1970 into a poor herdsman’s family in the steppes (semi-arid grasslands) of Mongolia, A Yin is a self-taught freelance photographer. In 1998 he began documenting the vanishing nomadic tribes in the Wuzhu Muqin under the working title Mongolian, setting up a self-funded commercial studio for his work. Yin continues to follow the traditional lifestyle of a Mongolian herdsman while also pursuing his photographic mission to document the disappearing steppes and the lifestyle they support.

Mongolia is considered to be one of the few highly remote places remaining in the world, yet the forces of globalization are quickly changing the traditional way of life for the descendents of Chinggis Khan. The need for economic development is rapidly changing the face of Mongolia; horses are being replaced with motorcycles and herders are struggling to deal with grassland degradation. Severe sandstorms are destroying the environment and, as a result, my own culture. As a Mongolian photographer, it is very important for me to document these crucial times and share these stories with the world.

A Yin

Sign up for our emails

Get the latest news and stories from the Rubin, plus occasional information on how to support our work. You can unsubscribe at any time at the bottom of our emails. Privacy Policy | Terms & Conditions

Discover artworks, articles, and more by typing a search term above, selecting a term below, or exploring common concepts in Himalayan art.