Visions of the Cosmos: From the Milky Ocean to an Evolving Universe spans history, geography, and religion to examine the ways in which different cultures view their place in the universe.
As the title suggests, visitors encounter Eastern and Western perspectives of the cosmos. “Milky Ocean” refers to the churning sea central to a Hindu creation belief; “Evolving Universe” speaks to the West’s explorations of space and the mysterious black holes of the cosmos.
For an Eastern perspective, Visions of the Cosmos explores the deity-centered cosmologies of Buddhism, Hinduism, and Jainism, which envision gods as primary players. For the Western perspective, images representing the human-centered cosmology of Christianity in the middle ages are considered, as well as those representing the shift to an astrophysical worldview embraced during the Renaissance. Sections of the exhibition are also devoted to the intricate cosmic constructs of the Kabbalah and alchemy.
A number of Buddhist stupas—structures created to house the relics of a deceased buddha or teacher that depict the cosmos in three-dimensional form—are on view, as well as a pair of gilt three-dimensional mandalas which represent a perfected universe intended as an offering to deities. The exhibition ends with photographs representing current astrophysical findings and a virtual trip through the universe via a digital simulation created by the American Museum of Natural History.
Martin Brauen, PhD, is a cultural anthropologist, curator, and author. From 2008 to 2011 he was chief curator at the Rubin Museum. Since his retirement he has independently curated several exhibitions, including Bill Viola: Passions at the Cathedral of Bern and The Cosmos at the Museum Rietberg, Zurich, and published A Sameness Between Us: The Friendship of Charmion von Wiegand and Piet Mondrian in Letters and Memoirs.
Becky Bloom is a scholar and curator who specializes in Tibetan Buddhism, Buddhist material culture, and issues surrounding the intersection of religion and museums. Following four years of curatorial and educational work at the Rubin, she pursued graduate studies and research that engage materials across media, methods across disciplines, and subjects across geographical boundaries.
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