Inside the Shrine RoomInside the Shrine Room

Scroll paintings known as thangkas, sculptures, ritual items, and musical instruments are arranged on traditional Tibetan furniture according to the hierarchy they assume in Tibetan Buddhist practices. The objects, such as vajras and bells, offering bowls, pitchers, and ritual mandalas are used in daily rituals and offerings along with handheld drums, conch trumpets, horns, and reeds. Ornamental textile decorations of brocade silk, made by traditional masters of appliqué craft, hung from the ceiling and on pillars, are also an integral part of a traditional shine room’s adornment. The Rubin’s Shrine Room is complete with simulated flickering butter lamps, recordings of Tibetan monks and nuns chanting prayers, and the subtle smell of incense, which is used during religious practices.

The Kagyu Tradition Shrine RoomThe Kagyu Tradition Shrine Room

The installation rotates every two years to highlight each of the four major Tibetan religious traditions. This rendition features the Kagyu tradition and includes images of buddhas, bodhisattvas, tantric deities, protectors, and teacher portraits specific to the branches of this tradition. Among the most famous teachers of the Kagyu tradition are the renowned translator and teacher Marpa, his legendary disciple and yogi Milarepa, and the lamas, or teachers, of the first reincarnation lineage in Tibetan Buddhism, known as Karmapas. Some of the main practices of this tradition focus on the tantric deities Vajrayogini and Chakrasamvara and the fierce protector deity Mahakala.

The installation is accompanied by an interactive touch screen with a virtual tour of the Shrine Room. The tour features select paintings, sculptures, and ritual items on loan to the Museum as well as objects from the Rubin Museum’s collection that focus on the Kagyu tradition’s deities, teachers, and related practices.

Exhibition Audio Guide

CuratorCurator

Elena Pakhoutova is senior curator, Himalayan art, at the Rubin Museum of Himalayan Art and holds a PhD in Asian art history from the University of Virginia. She has curated several exhibitions at the Rubin, including Death Is Not the End (2023), The Power of Intention: Reinventing the (Prayer) Wheel (2019), and The Second Buddha: Master of Time (2018). More →

Quotes from Rubin VisitorsQuotes from Rubin Visitors

I love to stop in and sit by the Shrine Room, even if it’s just for 15 minutes.

The Shrine Room sets the stage for quiet contemplation of the rest of the Museum.

Stepping into the Shrine Room is a moment to reconnect to our inner selves and remember our humanity.

Coming in from the New York City streets, it is a space to slow down and possibly even set an intention before looking closely and thoughtfully at Museum objects.

RelatedRelated

The Shrine Room is supported by The Robert H. N. Ho Family Foundation, Namita and Arun Saraf, and by generous donations from the Museum’s Board of Trustees, individual donors, and members.

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