Perspectives at the intersection of art, science, and Himalayan cultures
White Chakrasamvara, From Situ’s set of Twenty-seven Tutelary DeitiesKham Province, Eastern Tibet, late 18th century
VajrayoginiKham Province, Eastern Tibet, 18th century
Vajrapani (From Situ's set of Eight Great Bodhisattvas)Kham Province, Eastern Tibet, 19th century
Vajradhara and the Great Adepts (Mahasiddhas)Kham Province, Eastern Tibet, late 18th-early 19th century
Tsongkhapa (1357-1419)Kham Province, Eastern Tibet, 19th century
Tara, as a Great Yogini, After a Set of Paintings “Twenty-seven Tantric Deities” designed by Situ Panchen (1700-1774)Kham Province, Eastern Tibet, 19th century
Tara Protecting from the Eight FearsKham Province, Eastern Tibet, 19th century
Tenth Zhamar, Mipam Chodrup Gyatso (1742-1792)Kham Province, Eastern Tibet, late 18th - 19th century
Third Karmapa, Rangjung Dorje (1284-1339)Kham Province, Eastern Tibet, 19th century
Third Karmapa Rangjung Dorje (1284-1339) and Other Luminaries of the Rime "Non-Sectarian" MovementKham Province, Eastern Tibet, 19th century
Thirteenth Karmapa, Dudul Dorje (1733-1797)Kham Province, Eastern Tibet, 19th century
Stories of the Noble Deeds (Avadana), After a Set Designed by Situ Panchen (1700–1774) Illustrating Kshemendra’s AvadanakalpanadaKham Province, Eastern Tibet, 19th century
Sixth Zhamar, Garwang Chokyi Wangchuk (1584-1630); From a Pelpung set of Masters of the Combined Kagyu LineagesKham Province, Eastern Tibet, late 18th century
Situ Panchen as Patron of the Avadana Set, After Situ’s set of The Wish-granting Vine Series of One Hundred and Eight Morality TalesKham Province, Eastern Tibet, 19th century
Situ Panchen (1700-1774); From a Palpung set of Masters of the Combined Kagyu LineagesKham Province, Eastern Tibet, late 18th century, ca. 1760s
Senge Dradok, one of the Eight Manifestations of PadmasambhavaKham Province, Eastern Tibet, 18th century