Materials and Technologies

Learn about the processes and methods for creating Himalayan art that were developed over centuries, refined through collaborative efforts of patrons and artists, and encompass all known traditional art making media. To make three-dimensional objects, artists sculpt and carve in clay, stone, and wood, cast images in the round, and hammer repoussé reliefs in metal.

Textile artisans produce images using the appliqué technique, embroidery, and silk weaving and follow the same rules of proportion as the painters of two-dimensional works. Ordinary people also create objects, such as plaques made from molds using clay, and employ woodblocks to imprint images on cloth or paper to make prayer flags, amulets, and texts. Skilled painters create hanging scrolls called thangka using mineral pigments on prepared cloth or silk canvases.

Carving in Stone and Wood

Stone and wood are used to create three-dimensional images in Himalayan cultural regions, though stone is used less frequently than other materials. Artisans typically carve these media to create images raised from the surface in relief or fully three-dimensional sculptures in the round, which are usually then painted.

Large stone reliefs are often carved into rockfaces, while smaller portable sculptures can be fashioned from various kinds of stone, from hard ones like schist to softer kinds such as phyllite.

Across Himalayan areas people create a unique form of stone carving known as mani stones by chiseling mantras in relief on flat rocks or slate. These stones are stacked into large cairns or long walls that run along the paths to pilgrimage sites or over high passes.

Wood panels are carved or painted to produce book covers. For larger size covers, two panels are often assembled and decorated in gold or carved and painted. Wooden blocks are also carved to create woodcuts that are inked and used for printing text or images.

Objects in the Exhibition

Creating in Clay
Unfired clay remains the most commonly used material for sculpture in the Himalayas, from large statues to small tsatsas.
Woodblock Printing
The invention of printing can be directly connected to Buddhism and the need to reproduce religious texts and simple pictures of the Buddha.
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