David P. Jackson; Christian Luczanits; Rubin Museum of Art

In their art, Tibetans aimed at faithfully transmitting and preserving Buddhism as a spiritual discipline as they had learned it from earlier teachers. Each thangka painting was a small contribution to the larger cause of keeping Buddhism alive and radiant. In this third volume on Tibetan painting, David Jackson investigates painted portraits of early Tibetan teachers. Images of these eminent personages embodied Buddhist ideals in human form. In creating these depictions, Tibetan painters of the 12th through the 14th centuries imitated the artistic conventions developed in Pala- and Sensa-ruled eastern India (Bengal). This style, called Sharri, spread from India to many parts of Asia, but its classic Indian forms, delicate colors, and intricate decorative details were emulated most faithfully by the Tibetans.

Jackson, David P., and Christian Luczanits. Mirror of the Buddha: Early Portraits from Tibet. Masters of Tibetan Painting Series. New York: Rubin Museum of Art; Seattle and London: Distributed by the University of Washington Press, 2011.

David Jackson is a former curator at the Rubin Museum of Art. He is the author of A Saint in Seattle, Tibetan Thangka Painting, and A History of Tibetan Painting.

Christian Luczanits was a senior curator at the Rubin from 2010–2014. He studied Tibetan and Buddhist Studies at the Institute of Tibetan and Buddhist Studies, University of Vienna, Austria, with a focus on art historical subjects. There he completed his PhD under the external supervision of the late Maurizio Taddei, Istituto Universitario Orientale, Napoli.

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