Artwork Details

Title
Ushnishavijaya
Dimensions
6 5/8 × 4 5/8 × 10 in.
Medium
Metal alloy with inset coral and turquoise
Origin
Tibet
Classification(s)
sculpture
Date
15th or 16th century
Credit Line
Rubin Museum of Himalayan Art
Object number
C2002.53.1
HAR Number
65182
Published references
* Van Alphen, J. Collection Highlights: Rubin Museum of Art. New York: Rubin Museum of Art, 2014. Pp. 248-249

Begin your search...

Tantrism

Concepts

A religious movement that originated in India around the fifth to seventh century with sacred writings and esoteric teachings and practices transmitted from teacher to student through initiation. These remain an important part of Hinduism and Buddhism today. 

See more

Devotion

Concepts

A virtuous feeling and deep respect toward an authentic teaching, teacher, or path. Buddhists believe that expansive study, analysis, and meditation are essential steps for cultivating a healthy and enduring devotion.

See more

Secular Goals

Concepts

While the primary religious goal for followers of Buddhism is enlightenment, many of the practices also serve secular goals related to daily life, including ethical conduct and cultivating well-being.

See more

Female Deities

Figure Type

Female bodhisattvas and tantric deities embody specific enlightened qualities such as wisdom, power, and protection, and can be peaceful or wrathful in appearance.

See more

Tibetan Regions

Region

Today, Tibetans primarily inhabit the Tibetan Plateau, situated between the Himalayan mountain range and the Indian subcontinent to the west, Chinese cultural regions to the east, and Mongolian cultural regions to the northeast. During the 7th to 9th century, Tibetan rulers expanded their empire across Central Asia, and established Buddhism as the state religion.

See more

Sign up for our emails

Get the latest news and stories from the Rubin, plus occasional information on how to support our work.

Discover artworks, articles, and more by typing a search term above, selecting a term below, or exploring common concepts in Himalayan art.