Artwork Details

Title
Garuda
Dimensions
5 3/8 × 4 × 2 1/2 in.
Medium
Gilt copper alloy with inlays of semiprecious stones
Origin
Nepal
Classification(s)
sculpture
Date
17th century
Credit Line
Rubin Museum of Himalayan Art
Object number
C2005.16.13
HAR Number
65435
Published references
* Pal, Pratapaditya. 1977. The Sensuous Immortals: A Selection of Sculptures from the Pan-Asian Collection, [catalogue of the exhibition held at the Los Angeles County Museum of Art), p. 176, no.104.* Barret, Douglas. Indian Influence on Art in South-East Asia, [catalogue of the sale exhibition held at Spink & Son, Ltd., London].

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Ritual

Concepts

Prescribed practices that carry symbolic meaning and value within a specific tradition and are intended to attain a desired outcome. Rituals are usually done as part of a ceremony or regular routine.

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Power

Concepts

A kind of energy that can be used, individually and collectively, to effect change.

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Hindu Gods and Goddesses

Figure Type

Hindu gods (deva) are thought to be manifestations of the absolute, or Brahman. The goddesses (devi) are considered manifestations of the Great Mother Goddess (Mahadevi), who is seen as the counterpart to Brahman.

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Nepalese Regions

Region

The Himalayan kingdoms of the Kathmandu Valley were significant centers of Buddhist culture. Nepalese kings, Buddhist institutions, and ordinary people patronized the vibrant art guilds. The artistic traditions of the regions are well-known in Tibetan areas and beyond, and Newar artists have always been in high demand throughout Tibetan regions and Inner Asia.

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On the occasion of the Rubin’s 20th anniversary, Reimagine: Himalayan Art Now transforms the entire Museum with commissions, some site-specific, and existing works juxtaposed with objects from the Museum’s collection, inviting new ways of encountering traditional Himalayan art.

Through a wide range of media, including painting, sculpture, sound, video, performance, and more, the artists explore their personal and collective histories and call attention to themes such as the fluidity of identity, spiritual practices, sense of belonging, grief, memory, and reclamation. The artists also offer critical and thoughtful commentary on issues facing humanity across time.

CuratorsCurators

Reimagine: Himalayan Art Now is curated by Michelle Bennett Simorella, Director of Curatorial Administration & Collections at the Rubin Museum, with guest curators Roshan Mishra of Taragaon Next and Tsewang Lhamo of Yakpo Collective.

Michelle Bennett Simorella is director of curatorial administrations and collections at the Rubin Museum, bringing two decades of museum experience and leading collaborative projects. Working in Kathmandu, Nepal, for several years expanded her knowledge of art and practices in the region. Michelle has degrees in art history and nonprofit management.

Reimagine: Himalayan Art Now is supported by Bob and Lois Baylis, Noah P. Dorsky, Jacques and Natasha Gelman Foundation, Dan Gimbel of NEPC, LLC, Agnes Gund, New York Life, Matt and Ann Nimetz, The Prospect Hill Foundation, Eileen Caulfield Schwab, and Taipei Cultural Center in New York.

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council.

The Rubin Museum’s programs are made possible by the New York State Council on the Arts with the support of the Office of Governor Kathy Hochul and the New York State Legislature.

This project is supported in part by the National Endowment for the Arts.

Reimagine: Himalayan Art Now’s campaign is underway and the supporter list is in formation.

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Discover artworks, articles, and more by typing a search term above, selecting a term below, or exploring common concepts in Himalayan art.