This sculpture is attributed to the hand of Choying Dorje (1604–1674), the Tenth Karmapa, who was head of the Karma Kagyu School of Tibetan Buddhism. An eccentric figure within the history of Tibetan art, the Tenth Karmapa possessed a highly individual style, looking to a range of traditions for inspiration, including ancient metalwork from Kashmir and Swat. These influences can be seen in this sculpture of the goddess Tara in the elliptical shape of the lotus petals that make up her seat and the striated pattern on her tight-fitting clothing, which closely models her form. Other aspects of the Tenth Karmapa’s personal style apparent in this sculpture include the heavy plates of hair piled on the left side of Tara’s head and the plasticity of her ornaments, such as her tremendous earrings and the bulbous bobbles of her necklace. The Karmapa’s love of animals is often subtlety incorporated into his works. Here, a pair of birds can be found nestled in a leafy bower above Tara’s head

Artwork Details

Title
Green Tara
Artist
Tenth Karmapa, Choying Dorje
Dimensions
7 7/8 × 3 5/8 × 3 5/8 in.
Medium
Brass with pigments
Origin
Tibet
Classification(s)
sculpture
Date
17th century
Credit Line
Rubin Museum of Himalayan Art
Object number
C2005.16.3a-b
Bibliography
HAR Number
65425
Published references
  • J. Van Alphen, Collection Highlights: Rubin Museum of Art (Rubin Museum of Art, 2014), 88-89.
Compare:
  • Urlich von Schroeder, Buddhist Sculptures in Tibet: Volume Two: Tibet & China (Visual Dharma Publications, 2001), 816-817, 193A-D.
  • Karl Debreczeny, The Black Hat Eccentric: Artistic Visions of the Tenth Karmapa (The Rubin Museum of Art, 2012), 240-241, fig. 8.35.
  • Karl Debreczeny, "Recrafting Remote Antiquity: Art of the Tenth Karmapa,” Arts of Asia, vol. 50, no. 6 (Nov/Dec 2020): 72-87, fig. 24.
  • Syrtypova S.D., “Interpretation of the Image of the Goddess Tara by Zanabazar Compared to That by His Predecesors and Followers (from Sri Lanka to Siberia),” Orientalistica, vol. 3, no. 2 (2020): 348-378, (In Russ.) https://doi.org/10.31696/2618-7043-2020-3-2-348-378.
  • ”Tara,” Project Himalayan Art, Rubin Museum of Art, 2023, https://projecthimalayanart.rubinmuseum.org/related/tara/.
  • Karl Debreczeny, “Arhats Viewing a Painting of Birds by the Tenth Karmapa: A Tibetan Artist’s Interest in Archaic Chinese and Kashmiri Art,” Project Himalayan Art, Rubin Museum of Art, 2023, http://rubinmuseum.org/projecthimalayanart/essays/arhats-viewing-a-painting-of-birds-by-the-tenth-karmapa.

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Tantrism

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A religious movement that originated in India around the fifth to seventh century with sacred writings and esoteric teachings and practices transmitted from teacher to student through initiation. These remain an important part of Hinduism and Buddhism today. 

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Female bodhisattvas and tantric deities embody specific enlightened qualities such as wisdom, power, and protection, and can be peaceful or wrathful in appearance.

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