This lion throne likely once supported a seated buddha sculpture. An inscription located on the textile hanging between the lions indicates that the principal donor responsible for its creation was a queen of the Patola Shahis in the Gilgit region of northern Pakistan. Such inscriptions, found on a select group of bronze sculptures, have allowed scholars to trace the history of this royal house. This is one of the earliest Patola Shahi bronzes known to exist. Many of these bronzes traveled from Gilgit to Tibet and influenced the region’s art.

Artwork Details

Title
Inscribed Lion Throne
Dimensions
6 × 10 1/2 × 5 1/4 in.
Medium
Metal alloy
Origin
Gilgit (present day Pakistan)
Classification(s)
sculpture
Date
Early 7th century
Credit Line
Rubin Museum of Himalayan Art, Gift of Carlton Rochell
Object number
C2005.37.2
HAR Number
65412
Published references
  • Rob Linrothe, Collecting Paradise: Buddhist Art of Kashmir and its Legacies (Rubin Museum of Art; Mary and Leigh Block Museum of Art, 2014), 63-65, fig. 1.34.
  • Oskar von Hinuber, "Three new Bronzes from Gilgit,” in Annual Report of the International Research Institute for Advanced Buddhology at Soka University for the Academic Year 2006, 10 (2007), 39-43.

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Merit

Concepts

In Buddhism merit is accumulated through engaging in positive actions that lead to positive results, such as better rebirths. Buddhists gain merit by making offerings, donating to those in need, reciting mantras, and other good deeds.

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Kashmir/Western Himalayas

Region

From the 8th to 13th century, Kashmir was a renowned center of Buddhist learning, arts, and culture. This fertile valley was a major source of artistic production for the western Himalayan kingdoms, which spanned parts of northern India and the Ngari region of western Tibet.

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