These creatures are more than just petsThese creatures are more than just pets

If you’ve ever had an animal companion, you already know what an important role pets and animals can play in daily life. In both Hinduism and Buddhism, gods and goddesses are frequently associated with an animal that serves as their vehicle or mount. Known as vahana in Sanskrit, these animals exhibit the attributes that the gods personify.

Durga Killing the Buffalo Demon (Durga Mahisasuramardini); Nepal; 12th-13th century; Gilt copper alloy; 11 × 13 1/8 × 7 1/2 in.; Rubin Museum of Art; Rubin Museum of Himalayan Art; C2005.16.11

What’s a Vahana? What’s a Vahana? 

Animal protectors and companions are a common trope in many cultures, religions, and stories. Think of the patronus in the Harry Potter series, daemons from the Golden Compass series, and even Ash’s Pikachu and other Pokémon. In Hinduism and Buddhism, some of these animal friends are mythic animals while others are real-world animals. They not only play key roles in the stories of their corresponding gods, but they also help art historians identify the deities in art, and can even develop a significant following of their own. Here are some vahana from the Rubin Museum’s collection.

LionLion

Inscribed Lion Throne; Gilgit (present day Pakistan); Early 7th century; Metal alloy; 6 × 10 1/2 × 5 1/4 in.; Rubin Museum of Art; Rubin Museum of Himalayan Art, Gift of Carlton Rochell; C2005.37.2

Across many cultures, the lion has been a symbol of royalty, and in India and the Himalayas the iconography is much the same. Though the actual sculpture of the deity is missing from the throne base pictured above, art historians presume that it held either a sculpture of Buddha Shakyamuni or Buddha Vairochana, indicated by the lions that support the throne. Though the young Siddhartha renounced his royal status, many of the symbols found in depictions of Buddha Shakyamuni (including lions) suggest a regal status. The inscription on the throne base above indicates that the object was originally patronized by a royal family, further inspiring the artist to employ regal symbols.

BullBull

Kashmira; Kashmir, India; 10th century; Copper alloy with inlays of silver; 8 3/4 × 5 × 2 in.; Rubin Museum of Art; Rubin Museum of Himalayan Art; C2005.16.5

Sometimes a vehicle can show the connection between two different gods. Above is a sculpture of Parvati in her form known as Kashmira, the godly personification of the region of Kashmir. Several of this sculpture’s attributes display Kashmira’s connection with her husband, Shiva: the goddess has a crescent moon in her hair, holds a trident, and wears a tiger-skin skirt—all identifying attributes of Shiva. However, the most telling and endearing connection to her husband is her vehicle, Shiva’s beloved bull, Nandi. A popular god in his own right, sculptures of Nandi generally sit outside of Shiva temples serving as a gatekeeper. Followers of Shiva also worship him too and he can be the focus of puja, or ritual offerings.

Turtle or Mahakara? Turtle or Mahakara? 

Goddess Shri or Lakshmi; Nepal; 18th century; Copper with pigments; 36 1/2 × 19 1/8 × 9 in.; Rubin Museum of Art; Rubin Museum of Himalayan Art, Gift of Shelley and Donald Rubin; C2006.66.631

The goddess depicted in this beautiful copper sculpture doesn’t have a vahana, so we don’t know which goddess she is! According to Rubin Museum curator Guatama Vajracharya, it’s either the goddess Shri or Lakshmi. Shri would be riding the mythical mahakara while Lakshmi would be riding a turtle. The statue is a reminder of the importance of animal vehicles in identifying gods and goddesses.

 

Published August 31, 2016
HinduismBuddhismTraditional Himalayan Art

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