Artwork Details

Title
Manjushrikirti, King of Shambhala, From a set of previous incarnations of the Panchen Lamas
Dimensions
31 1/4 × 17 3/8 in.
Medium
Silk Embroidery; Technique: Embroidery
Origin
Du Jinsheng Silk Factory, Maojiabu, Hangzhou, Zhejiang Province, China
Classification(s)
thangka textiles
Date
ca. 1922-1937
Credit Line
Rubin Museum of Himalayan Art, Gift of Shelley and Donald Rubin
Object number
C2006.66.155
HAR Number
132
Published references
*Kerin, Melissa R. Artful Beneficence: Selections from the David R. Nalin Himalayan Art Collection. New York: Rubin Museum of Art, 2009. Endnote No. 213-216; Pp. 136, 138, 152-153.*Mullin, Glenn H. Buddha in Paradise: A Celebration in Himalayan Art. New York: Rubin Museum of Art, 2007. Fig. 52; Pp. 110-111.*Rhie, Marylin M. and Robert A.F. Thurman. Worlds of Transformation: Tibetan Art and Wisdom of Compassion. New York: Tibet House, 1999. Cat. 198; Pp. 486-487.

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Lineage

Concepts

The transmission of teachings from one generation to the next, from teacher to student, traced all the way back to the Buddha without interruption. A complete lineage is essential in Tantric Buddhist practices as it makes the blessings of the teaching more powerful.

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Divine

Concepts

Buddhist practitioners in some traditions believe that cutting through ordinary perceptions that keep us in the endless cycle of death and rebirth, known as samsara, can create a powerful and enhanced divine identity that leads to enlightenment.

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Tantrism

Concepts

A religious movement that originated in India around the fifth to seventh century with sacred writings and esoteric teachings and practices transmitted from teacher to student through initiation. These remain an important part of Hinduism and Buddhism today. 

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Legendary and Historical Humans

Figure Type

Himalayan art includes portraits of legendary and historical humans, including accomplished religious teachers (lamas), the Buddha’s original disciples (arhats), and spiritually accomplished tantric masters (mahasiddhas).

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Chinese Regions

Region

Although Tibetan Buddhism was not practiced broadly in China, the imperial centers, such as Beijing and Mount Wutai, emerged as hubs of Tibetan Buddhist cultural production. The emperors of the Mongol Yuan (1271–1368), Chinese Ming (1368–1644), and Manchu Qing (1644–1911) dynasties harnessed Tibetan Buddhist ideas to consolidate their power.

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Discover artworks, articles, and more by typing a search term above, selecting a term below, or exploring common concepts in Himalayan art.