Tibet
16th century
The hands form the shape of a wheel, symbolizing the “turning of the wheel of dharma,” a reference to teaching the Buddha’s doctrine.
Tibet
16th century
This sculpture depicts the founding teacher of Geluk Tibetan Buddhist tradition according to descriptions given in biographies written close to the master’s lifetime. He was said to have a large head, round face with wide forehead, a V-shaped hairline, and a prominent nose. His usual attributes are his monastic robes, hands held at the heart, and a sword and a book resting on lotuses above his shoulders. He is also often depicted wearing a yellow hat, which sometimes is an added miniature textile hat placed on the head of a sculpture.
The idea that everything is interconnected and arises from both conscious and unconscious interactions and relationships. Thus happiness and suffering are interlinked, dependent, and relative.
The transmission of teachings from one generation to the next, from teacher to student, traced all the way back to the Buddha without interruption. A complete lineage is essential in Tantric Buddhist practices as it makes the blessings of the teaching more powerful.
The passing down of authentic Buddhist teachings from a teacher to a disciple or student, often in the form of a text in a ritualistic context.
Himalayan art includes portraits of legendary and historical humans, including accomplished religious teachers (lamas), the Buddha’s original disciples (arhats), and spiritually accomplished tantric masters (mahasiddhas).
Today, Tibetans primarily inhabit the Tibetan Plateau, situated between the Himalayan mountain range and the Indian subcontinent to the west, Chinese cultural regions to the east, and Mongolian cultural regions to the northeast. During the 7th to 9th century, Tibetan rulers expanded their empire across Central Asia, and established Buddhism as the state religion.
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