Artwork Details

Title
Padmasambhava in His Pure Realm, the Copper-Colored Mountain
Dimensions
37 1/2 x 24 in. (95.3 x 61 cm)
Medium
Pigments on cloth
Origin
Kham Province, Eastern Tibet
Classification(s)
paintings
Date
19th century
Credit Line
Rubin Museum of Himalayan Art, gift of the Shelley and Donald Rubin Foundation
Object number
F1997.8.2
HAR Number
111
Published references
* Kathryn H. Selig Brown. Eternal Presence: Handprints and Footprints in Buddhist Art. (Katonah, New York: Katonah Museum of Art, 2004). Plate 25; Pp. 56-57, 59. * David P. Jackson. The Place of Provenance: Regional Styles in Tibetan Painting. (New York: Rubin Museum of Art, 2012). Fig. 5.21. Pp. 10, 106.*Glenn H. Mullin. Buddha in Paradise: A Celebration in Himalayan Art. (New York: Rubin Museum of Art, 2007). Fig. 57; Pp. 120-121.* Marylin M. Rhie and Robert A.F. Thurman. Worlds of Transformation: Tibetan Art and Wisdom of Compassion. (New York: Tibet House, 1999). Cat. 192; Pp. 474-476.

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Liberation

Concepts

The central goal of Buddhism is the liberation of all beings from suffering and the cycle of life, death, and rebirth, known as samsara, through applying the teachings of the Buddha.

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Visualization

Concepts

A meditation technique primarily used in tantric practice that involves imagining a deity in one’s mind or imagining oneself becoming a deity and carrying out various activities. Such techniques are intended to help a practitioner transform ordinary perception and achieve enlightened qualities.

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Meditation

Concepts

A contemplative practice in which a person uses concentration and visualization to achieve aims such as transforming the mind and generating feelings of compassion. Techniques include focusing on breathing or visualizing oneself as a deity.

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Legendary and Historical Humans

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Tibetan Regions

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