Art

Thangka painting of a black wrathful multi-armed deity dancing within an orange flame aureole, standing on a prone figure, against a dark blue night sky with a crescent moon and sun.
Vajrayogini, Krodha Kali
Tibet or Mongolia, 18th century
Thangka mandala painting centered on a red female deity within a temple structure, surrounded by concentric protective rings, with seated teachers above and small deity figures in the corners.
Vajrayogini in the Pure Realm of Khechara
Kham region, eastern Tibet, 19th century
Thangka painting of a red goddess Vajrayogini wearing a bone garland, within a scrolling flame-patterned arch, flanked by lamas seated on clouds above and pink flowering plants below.
Vajrayogini
Kham region, eastern Tibet, late 19th century
Embroidered white and black animals, two black ravens, and human figures populate a light blue background. Skulls and beaded strings decorate the upper edge, with black animals in the lower portion. A dark, blue-skinned figure sits at center, one of three human figures. There are seven animals, including a white Bactrian camel and a black snow lion devouring a corpse. All represent symbolic offerings.
Symbolic Offerings
Mongolia, 19th century
Four-Armed Mahakala
Tibet, 18th century
Vajrayogini
Tibet, 17th century
Vajravarahi
Tibet, 19th century
Vajravarahi
Tibet, 20th century
Vajravarahi
Bhutan, possibly Punakha Dzong, Mid-19th century
Vajravarahi
Nepal, Dated by inscription, 1822
Vajrakilaya of the Eight Pronouncements
Tibet, 18th century
Tiger Riding Mahakala
Central Tibet, Early 19th century
Tara, as a Great Yogini, After a Set of Paintings “Twenty-seven Tantric Deities” designed by Situ Panchen (1700-1774)
Kham region, eastern Tibet, 19th century
Siddhi Lakshmi
Nepal, dated by inscription, 1694
Scenes from the Life of Jamyang Tutob Wangchuk (1588-1637)
Tibet, 17th century
Red Ganapati, One of the Three Great Red Deities
Tsang region, central Tibet, 16th century

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