Artwork Details

Title
Nagarjuna and Aryadeva (After Situ Panchen’s (1700-1774) set of the Six Ornaments and Two Excellent Ones)
Dimensions
24 5/8 x 16 1/2 in. (estimated)
Medium
Pigments on cloth
Origin
Kham Province, Eastern Tibet
Classification(s)
paintings
Date
19th century
Credit Line
Rubin Museum of Himalayan Art, Gift of Shelley and Donald Rubin
Object number
C2006.66.167
Bibliography
HAR Number
174
Published references
* Marylin M. Rhie and Robert A.F. Thurman. Worlds of Transformation: Tibetan Art and Wisdom of Compassion. (New York: Tibet House, 1999). Fig. 24; Cat. 40; Pp. 117, 211-212.* Karl Debreczeny, "Situ Panchen's Artistic Legacy in 'Jang." Journal of the International Association of Tibetan Studies. no. 7 (August 2013): 193-276. http://www.thlib.org/collections/texts/jiats/#!jiats=/07/debreczeny/ Fig. 13; pp. 217-18.* Debreczeny, Karl. The Black Hat Eccentric: Artistic Visions of the Tenth Karmapa. New York: The Rubin Museum of Art, 2012, pp. 265-266. (Fig. 9.12)* Karl Debreczeny, "Wutaishan: Pilgrimage to Five Peak Mountain." Journal of the International Association of Tibetan Studies, Issue 6 (Dec 2011): 1-133, p. 82, Cat37. http://www.thlib.org/collections/texts/jiats/#!jiats=/06/debreczeny/ * Karl Debreczeny, Palace Museum Journal 2011, 101-139, fig. 18, p. 112-113. [entirely in Chinese]* Karl Debreczeny, [Collected Essays of Western Naxi Studies] 2013, pp. 165-237; pp. 179-80, Fig. 17, p. 227.
  • Marylin M. Rhie and Robert A. F. Thurman, Worlds of Transformation: Tibetan Art of Wisdom and Compassion (Tibet House, 1999), 117, 211-212, fig. 24, cat. 40.
  • Karl Debreczeny, "Situ Panchen's Artistic Legacy in 'Jang,” Journal of the International Association of Tibetan Studies, no. 7 (August 2013): 193-276, fig. 13, http://www.thlib.org/collections/texts/jiats/#!jiats=/07/debreczeny.
  • Karl Debreczeny, The Black Hat Eccentric: Artistic Visions of the Tenth Karmapa (The Rubin Museum of Art, 2012), 265-266, fig. 9.12.
  • Karl Debreczeny, "Wutaishan: Pilgrimage to Five Peak Mountain,” Journal of the International Association of Tibetan Studies, no. 6 (Dec 2011): 1-133, cat. 37. http://www.thlib.org/collections/texts/jiats/#!jiats=/06/debreczeny.
  • Karl Debreczeny, Palace Museum Journal (2011), 101-139, 112-113 [entirely in Chinese], fig. 18.
  • Karl Debreczeny, [Collected Essays of Western Naxi Studies] (2013), 165-237, fig. 17.
  • Li ai (Rhie Marylin M.) and Wanzhang Ge. Cang chuan fo jiao yi shu de mei xue,nian dai yu feng ge. Ci Bei Yu Zhi Hui = Wisdom and Compassion: the Sacred Art of Tibet: Cang Chuan Fo Jiao Yi Shu Da Zhan , [1] (Zhuan zhe, 1998), 42.

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Wisdom

Concepts

The antidote to ignorance, with the highest form of wisdom being an understanding of the true nature of reality and all phenomena. In Buddhism studying the nature of interdependence and emptiness is considered an important step for attaining wisdom.

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Transmission

Concepts

The passing down of authentic Buddhist teachings from a teacher to a disciple or student, often in the form of a text in a ritualistic context.

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Ignorance

Concepts

The main cause of suffering in the endless cycle of death and rebirth known as samsara. A lack of awareness or understanding of the true nature of reality propels sentient beings to hold the wrong view and engage in harmful actions. In Buddhism wisdom is the antidote to ignorance. 

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Legendary and Historical Humans

Figure Type

Himalayan art includes portraits of legendary and historical humans, including accomplished religious teachers (lamas), the Buddha’s original disciples (arhats), and spiritually accomplished tantric masters (mahasiddhas).

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Tibetan Regions

Region

Today, Tibetans primarily inhabit the Tibetan Plateau, situated between the Himalayan mountain range and the Indian subcontinent to the west, Chinese cultural regions to the east, and Mongolian cultural regions to the northeast. During the 7th to 9th century, Tibetan rulers expanded their empire across Central Asia, and established Buddhism as the state religion.

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Discover artworks, articles, and more by typing a search term above, selecting a term below, or exploring common concepts in Himalayan art.