Artwork Details

Title
Buddha Akshobhya and the Eastern Assembly of the Sarvadurgatiparishodhana Mandala
Dimensions
34 5/8 x 29 1/4 x 2 1/4 in. (87.9 x 74.3 x 5.7 cm)
Medium
Pigment and raised gold on cloth
Origin
Tibet
Classification(s)
paintings
Date
14th century
Credit Line
Rubin Museum of Himalayan Art
Object number
C2010.8
HAR Number
55531

Begin your search...

Ritual

Concepts

Prescribed practices that carry symbolic meaning and value within a specific tradition and are intended to attain a desired outcome. Rituals are usually done as part of a ceremony or regular routine.

See more

Tantrism

Concepts

A religious movement that originated in India around the fifth to seventh century with sacred writings and esoteric teachings and practices transmitted from teacher to student through initiation. These remain an important part of Hinduism and Buddhism today. 

See more

Meditation

Concepts

A contemplative practice in which a person uses concentration and visualization to achieve aims such as transforming the mind and generating feelings of compassion. Techniques include focusing on breathing or visualizing oneself as a deity.

See more

Buddhas

Figure Type

An awakened being who understands the true nature of reality and is free from the cycle of birth, death, and rebirth. While there are many buddhas, Siddhartha Gautama is the historical Buddha, whose teachings became the foundation of Buddhism.

See more

Tibetan Regions

Region

Today, Tibetans primarily inhabit the Tibetan Plateau, situated between the Himalayan mountain range and the Indian subcontinent to the west, Chinese cultural regions to the east, and Mongolian cultural regions to the northeast. During the 7th to 9th century, Tibetan rulers expanded their empire across Central Asia, and established Buddhism as the state religion.

See more

Sign up for our emails

Get the latest news and stories from the Rubin, plus occasional information on how to support our work.

Discover artworks, articles, and more by typing a search term above, selecting a term below, or exploring common concepts in Himalayan art.