The Fifth Dalai Lama, Ngagwang Lobzang Gyatso (1617–1682), depicted here holding a lotus and a vase of longevity, was the first theocratic ruler of a unified Tibet. His status is expressed through a language of divine inheritance, the succession of past glorious empires through reincarnation. The Fifth Dalai Lama identified himself as an incarnation of the Bodhisattva of Compassion, Avalokiteshvara, depicted in this painting at top center. Avalokiteshvara was not only the patron deity of Tibet but also the founder of the Tibetan Empire, Songtsen Gampo (ruled 617-650 depicted at top left), was considered his emanation. By asserting himself as an emanation of Avalokiteshvara, the Dalai Lama was symbolically declaring that his was a divine kingship and more specifically that he was in the lineage of the Tibetan emperor who first united Tibet and thus positioned himself as the rightful inheritor of the old Tibetan Empire.Red background paintings such as this are associated with Buddha Amitabha and his lotus family, which includes the incarnations of the Dalai Lamas. In this sophisticated painting the figures are outlined in red, and their surfaces are painted with an undercoat of yellow and an overcoat of gold. Fine patterns are polished into this gold ground to create a subtle ornamentation in the painting surface.

Artwork Details

Title
The Fifth Dalai Lama, Ngawang Lobzang Gyatso (1617-1682) with Previous Incarnations
Dimensions
27 3/8 × 17 3/8 in. (estimated)
Medium
Pigments on cloth
Origin
Central Tibet
Classification(s)
paintings
Date
18th century
Credit Line
Rubin Museum of Himalayan Art, gift of the Shelley and Donald Rubin Foundation
Object number
F1996.29.3
HAR Number
506
Published references
*Glenn H. Mullin. Buddha in Paradise: A Celebration in Himalayan Art. (New York: Rubin Museum of Art, 2007). Fig. 18; Pp. 48-49.* Martin Brauen, editor, The Dalai Lamas: A Visual History (Chicago, Ethnographic Museum of Zurich & Serendia Publications, 2005)* Marylin M. Rhie and Robert A.F. Thurman. Worlds of Transformation: Tibetan Art and Wisdom of Compassion. (New York: Tibet House, 1999). Cat. 129; Pp. 357, 359-360.* Van Alphen, J. Collection Highlights: Rubin Museum of Art. (New York: Rubin Museum of Art, 2014). Pp. 43, 96-97* Per K. Sørensen. "The Dalai Lama Institution: Its Origin and Genealogical Succession." Orientations 36, no. 6 (September 2005). Color. Fig. 1. Pp. 53-60.* Debreczeny, Karl. Faith and Empire: Art and Politics in Tibetan Buddhism. New York: Rubin Museum of Art, 2019. Fig. 7.6, pp. 160-161, 177

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Merit

Concepts

In Buddhism merit is accumulated through engaging in positive actions that lead to positive results, such as better rebirths. Buddhists gain merit by making offerings, donating to those in need, reciting mantras, and other good deeds.

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Transmission

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The passing down of authentic Buddhist teachings from a teacher to a disciple or student, often in the form of a text in a ritualistic context.

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Lineage

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The transmission of teachings from one generation to the next, from teacher to student, traced all the way back to the Buddha without interruption. A complete lineage is essential in Tantric Buddhist practices as it makes the blessings of the teaching more powerful.

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Legendary and Historical Humans

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Tibetan Regions

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