Traveling Exhibition

Gateway to Himalayan Art introduces the main forms, concepts, meanings, and religious traditions of Himalayan art with objects from the Rubin’s collection. It serves as an entry point to the integrated components of Project Himalayan Art, highlighting a thematic approach for teaching and engaging with the objects. 

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View of Project Himalayan Art digital platform

Digital Platform

The digital platform features 108 object-focused essays, introductions to key themes, content from the traveling exhibition, and an interactive map. A wealth of supporting multimedia resources—including audio, video, and over one thousand images—provide context to the living ritual, cultural, and art-making practices and traditions of the greater Himalayan region.

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Publication

Himalayan Art in 108 Objects is an object-centered introduction to Himalayan art and material culture from Neolithic to contemporary times, focusing on cross-cultural exchange with Tibet at the center and Buddhism as the thread that connects these diverse cultural regions.

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NEH Institute on Himalayan Art and Cultures

The NEH Institute for Higher Education: Virtual Gateway to Himalayan Art and Cultures is an online intensive summer institute to introduce over 30 higher education faculty to Himalayan art and cultural traditions that connect with East, South, and Inner Asian cultures and humanities fields of study.

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SupportSupport

Leadership support for Project Himalayan Art is provided by the Henry Luce Foundation.

Project Himalayan Art has been made possible in part by a major grant from the National Endowment for the Humanities: Democracy demands wisdom.

This project was made possible in part by the Institute of Museum and Library Services MA-253379-OMS-23.

This project is supported in part by the National Endowment for the Arts.

Lead support is provided by the Ellen Bayard Weedon Foundation, Bob and Lois Baylis, Barbara Bowman, the E. Rhodes & Leona B. Carpenter Foundation, Noah P. Dorsky, Fred Eychaner, Christopher J. Fussner, the Estate of Lisina M. Hoch, Matt and Ann Nimetz, The Randleigh Foundation Trust, Shelley and Donald Rubin, and Jesse Smith and Annice Kenan.

Major support is provided by Daphne Hoch Cunningham and John Cunningham, Stephen and Sharon Davies, the Edward & Elizabeth Gardner Foundation, Mimi Gardner Gates, Hongwei Li, Max Meehan, the Monimos Foundation, Edward O’Neill, The Prospect Hill Foundation, Sarah and Craig Richardson, Rossi & Rossi, Basha Frost Rubin and Scott Grinsell, the Andrew Sabin Family Foundation, Namita and Arun Saraf, Eric and Alexandra Schoenberg, Eileen Caulfield Schwab, UOVO, Sandy Song Yan, and the Zhiguan Museum of Art.

Special Support is provided by:

Dr. Bibhakar Sunder Shakya, to honor the memory and legacy of Professor Dina Bangdel, art historian, curator, cultural activist, and educator from Nepal.

Samphe and Tenzin Lhalungpa, to honor the memory and works of L.P. Lhalungpa, Tibetan scholar, broadcaster, and educator.

Any views, findings, conclusions, or recommendations expressed in this initiative, do not necessarily represent those of the National Endowment for the Humanities.

The views, findings, conclusions or recommendations expressed in this projects do not necessarily represent those of the Institute of Museum and Library Services.

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