Artwork Details

Title
Mandala of Amoghapasha
Dimensions
13 5/8 × 11 5/8 in. (estimated)
Medium
Pigments on cloth
Origin
Northern Nepal or Tsang Province, Central Tibet
Classification(s)
paintings
Date
15th century
Credit Line
Rubin Museum of Himalayan Art
Object number
C2004.15.1
Bibliography
Mandala: Sacred Circle in Tibetan Buddhism
HAR Number
65345
Published references
  • Martin Brauen, Mandala: Sacred Circle in Tibetan Buddhism (Rubin Museum of Art; Arnoldsche Art Publishers, 2009), 12, 17-18, 106-107, plate 15, fig 1.1, 1.8.

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Tantrism

Concepts

A religious movement that originated in India around the fifth to seventh century with sacred writings and esoteric teachings and practices transmitted from teacher to student through initiation. These remain an important part of Hinduism and Buddhism today. 

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Meditation

Concepts

A contemplative practice in which a person uses concentration and visualization to achieve aims such as transforming the mind and generating feelings of compassion. Techniques include focusing on breathing or visualizing oneself as a deity.

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Mandala

Figure Type

A geometrically shaped tool used for meditation and visualization in Buddhist practice. It is a representation of the palace of a deity and the Buddhist conception of the cosmos.

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Tibetan Regions

Region

Today, Tibetans primarily inhabit the Tibetan Plateau, situated between the Himalayan mountain range and the Indian subcontinent to the west, Chinese cultural regions to the east, and Mongolian cultural regions to the northeast. During the 7th to 9th century, Tibetan rulers expanded their empire across Central Asia, and established Buddhism as the state religion.

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