In the thirteenth century, the Mongols conquered most of Asia and established the largest contiguous empire in world history. They ruled both Tibetan and Chinese regions, facilitating the spread of Tibetan visual culture to the Chinese heartland.

Later, in the sixteenth century, a massive second conversion of the Mongols to Tibetan Buddhism was more deeply rooted, a conversion so thorough that the religion became essential to Mongolian identity. Mongolian Buddhist art is thus similar to Tibetan art, but distinctive in certain subjects, materials, and styles. Deities took on new narratives and meanings in Mongolian contexts as they were integrated into local cosmologies. In the eighteenth and nineteenth centuries, Mongolian language gradually replaced Tibetan as the liturgical language.

Works of Art

Select each work to learn more.

Hayagriva
Tibet or Mongolia, 18th century
Maitreya, Buddha of the Future
Mongolia, late 18th - early 19th century
The Potala Palace and the main Monuments of Lhasa
Tibet or Inner Mongolia, 18th - early 19th century (ca 1757-1804)
Goddess of the Dawn, Marichi
Mongolia, late 17th century or early 18th century
Six-armed Mahakala
Mongolia, 18th century
Illustrated Manuscript of The Liberation Through Hearing in the Intermediate State (Bardo Thodrol)
Mongolia, 19th century
Saddle
Tibet or Mongolia, 18th - 19th century
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