Western Himalayas
c. 12th–13th century
Western Himalayas
c. 12th–13th century


This standing image of bodhisattva Avalokiteshvara is sometimes called Padmapani, referencing a lotus stem he holds in his left hand. Avalokiteshvara is one of the great bodhisattvas and said to be the embodiment of compassion. In Tibetan Buddhist traditions rooted in tantric texts and practices originated in India, he is affiliated with the Buddha Amitabha, shown as a small buddha figure in his crown. The two flying figures flanking Avalokiteshvara’s head are called apsara. At the base of his lotus throne are two small figures of kneeling worshippers. They are likely donors who commissioned the sculpture with the mind to seek Avalokiteshvara’s blessings, create merit as well as a good life.
The sculpture represents a popular type of image often found across northern India, western Himalayas, Western Tibet, Nepal, and beyond. However, this sculpture’s stylistic elements indicate a western Himalayan cultural sphere, where artistic production integrated Kashmiri aesthetics not only in painting but also in sculptural forms, in metal, clay and stone. The silver inlaid eyes is among the persistent elements of Kashmiri aesthetics evidenced in the western Himalayan metal images. The sculpture displays evidence of repairs that would have been done possibly centuries after its creation.
A virtuous feeling and deep respect toward an authentic teaching, teacher, or path. Buddhists believe that expansive study, analysis, and meditation are essential steps for cultivating a healthy and enduring devotion.
In Buddhism merit is accumulated through engaging in positive actions that lead to positive results, such as better rebirths. Buddhists gain merit by making offerings, donating to those in need, reciting mantras, and other good deeds.
Beings who aspire to become fully awakened like the Buddha and are dedicated to helping others on the path to enlightenment.
From the 8th to 13th century, Kashmir was a renowned center of Buddhist learning, arts, and culture. This fertile valley was a major source of artistic production for the western Himalayan kingdoms, which spanned parts of northern India and the Ngari region of western Tibet.
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