This painting is from a large set depicting the eighty-four great Tantric adepts (mahasiddha) and portrays three of them, including both monastic and lay yogis. The top figure in the work is Kamala, who was a lay scholar, grammarian, and logician. He is shown as an old man with a tiny rolled-up text in his earlobe. At the bottom left is the monastic Suvarnadvipa, a scholar of great learning revealed by his pandita hat, an accessory reserved for highly educated scholastics. At the lower right is Viraya, the cooking oil seller and yogi, playing a hand drum. His right leg is held in place by a meditation strap, and he is accompanied at his side by his consort holding a sitar.Although required to follow a strict set of rules regarding iconography, the painter has infused each of the adepts in this work with his own personality. This finely crafted painting is a delicate balance of colors. It abounds with details to draw the eye, from the subtle gold accents and wide variety of intricate textile patterns to the turtle being offered to Kamala at top and the colorful parrot sitting in the crook of a staff below.

Artwork Details

Title
Three Mahasiddhas, Kamala, Suvarnadvipa, Viraya
Dimensions
61 7/8 × 32 3/8 × 1/2 in.
Medium
Pigments on cloth
Origin
Tibet
Classification(s)
paintings scroll painting
Date
ca. 17th century
Credit Line
Rubin Museum of Himalayan Art
Object number
C2004.14.2
Bibliography
Patron and Painter: Situ Panchen and the Revival of the Encampment Style
HAR Number
65349
Published references
* David P. Jackson. Patron and Painter: Situ Panchen and the Revival of the Encampment Style. (New York: Rubin Museum of Art, 2009). Fig. 5.12; pp. 98-100.* Linrothe, Rob. Holy Madness: Portraits of Tantric Siddhas. New York: Rubin Museum of Art; Chicago: Serindia Publications, 2006. Catalog No.40; Pp. 268, 270-272, 306, 407.* Callanan, Jeanne de Guardiola, and Carlton C. Rochell. Road to Enlightenment: Sculpture and Painting from India, the Himalayas and Southeast Asia. New York: Carlton Rochell Ltd, 2004. (Cat. No. 28)* Van Alphen, J. Collection Highlights: Rubin Museum of Art. New York: Rubin Museum of Art, 2014. Pp.18-19* Jackson, David Paul. A Revolutionary Artist of Tibet : Khyentse Chenmo of Gongkar. New York: Rubin Museum of Art, 2016. Fig. 2.12 & 7.27: pp. 56, 181* Auboyer, Jeannine, and Gilles Beguin. Dieux et demons de l'Himalaya Art du Bouddhisme lamaique:, Grand Palais,25 mars-27 juin 1977 (Paris: Editions des Musees Nationaux, 1977): no. 228, pp. 198 and 202.

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Lineage

Concepts

The transmission of teachings from one generation to the next, from teacher to student, traced all the way back to the Buddha without interruption. A complete lineage is essential in Tantric Buddhist practices as it makes the blessings of the teaching more powerful.

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Transmission

Concepts

The passing down of authentic Buddhist teachings from a teacher to a disciple or student, often in the form of a text in a ritualistic context.

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Tantrism

Concepts

A religious movement that originated in India around the fifth to seventh century with sacred writings and esoteric teachings and practices transmitted from teacher to student through initiation. These remain an important part of Hinduism and Buddhism today. 

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Legendary and Historical Humans

Figure Type

Himalayan art includes portraits of legendary and historical humans, including accomplished religious teachers (lamas), the Buddha’s original disciples (arhats), and spiritually accomplished tantric masters (mahasiddhas).

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Tibetan Regions

Region

Today, Tibetans primarily inhabit the Tibetan Plateau, situated between the Himalayan mountain range and the Indian subcontinent to the west, Chinese cultural regions to the east, and Mongolian cultural regions to the northeast. During the 7th to 9th century, Tibetan rulers expanded their empire across Central Asia, and established Buddhism as the state religion.

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