Artwork Details

Title
Tsongkhapa (1357-1419)
Dimensions
49 5/8 x 32 7/8 x 1 1/4 in. (126 x 83.5 x 3.2 cm)
Medium
Pigments on cloth
Origin
U Province, Central Tibet
Classification(s)
paintings
Date
19th century
Credit Line
Rubin Museum of Himalayan Art, From the Collection of Mr. and Mrs. Walter Warren Wilds
Object number
C2007.22.2
HAR Number
65799
Published references
* David P. Jackson. The Place of Provenance: Regional Styles in Tibetan Painting. (New York: Rubin Museum of Art, 2012). Fig. 3.4. Pp. 33, 35.

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Transmission

Concepts

The passing down of authentic Buddhist teachings from a teacher to a disciple or student, often in the form of a text in a ritualistic context.

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Lineage

Concepts

The transmission of teachings from one generation to the next, from teacher to student, traced all the way back to the Buddha without interruption. A complete lineage is essential in Tantric Buddhist practices as it makes the blessings of the teaching more powerful.

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Interdependence

Concepts

The idea that everything is interconnected and arises from both conscious and unconscious interactions and relationships. Thus happiness and suffering are interlinked, dependent, and relative. 

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Legendary and Historical Humans

Figure Type

Himalayan art includes portraits of legendary and historical humans, including accomplished religious teachers (lamas), the Buddha’s original disciples (arhats), and spiritually accomplished tantric masters (mahasiddhas).

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Tibetan Regions

Region

Today, Tibetans primarily inhabit the Tibetan Plateau, situated between the Himalayan mountain range and the Indian subcontinent to the west, Chinese cultural regions to the east, and Mongolian cultural regions to the northeast. During the 7th to 9th century, Tibetan rulers expanded their empire across Central Asia, and established Buddhism as the state religion.

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