Artwork Details

Title
Chakrasamvara
Dimensions
36 3/8 × 21 1/2 × 1 in.
Medium
Pigments on cloth
Origin
Mongolia
Classification(s)
paintings
Date
19th century
Credit Line
Rubin Museum of Himalayan Art, Gift of Shelley and Donald Rubin
Object number
C2003.50.11
HAR Number
1090
Published references
* Mullin, Glenn H. Buddha in Paradise: A Celebration in Himalayan Art. New York: Rubin Museum of Art, 2007. Fig. 66; Pp. 7, 141-143.

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Visualization

Concepts

A meditation technique primarily used in tantric practice that involves imagining a deity in one’s mind or imagining oneself becoming a deity and carrying out various activities. Such techniques are intended to help a practitioner transform ordinary perception and achieve enlightened qualities.

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Tantrism

Concepts

A religious movement that originated in India around the fifth to seventh century with sacred writings and esoteric teachings and practices transmitted from teacher to student through initiation. These remain an important part of Hinduism and Buddhism today. 

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Meditation

Concepts

A contemplative practice in which a person uses concentration and visualization to achieve aims such as transforming the mind and generating feelings of compassion. Techniques include focusing on breathing or visualizing oneself as a deity.

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Tantric Deities

Figure Type

Tantric deities personify various enlightened qualities and are the focus of esoteric religious practices (tantras) that aim to swiftly and radically transform one’s understanding of reality.

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Mongolian Regions

Region

Mongolians have been widely active in the Tibetan Buddhist world, playing a key role in Tibetan culture, politics, and relations with China. In the 13th century, the Mongol Empire—the largest contiguous empire in world history—facilitated the spread of Tibetan visual culture.

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