Artwork Details

Title
Thirteenth Karmapa, Dudul Dorje (1733-1797)
Artist
Karshö Karma Tashi
Dimensions
62 3/4 × 36 7/8 × 1 1/8 in.
Medium
Pigments on cloth
Origin
Pelpung Monastery, Kham Province, Eastern Tibet
Classification(s)
paintings scroll painting
Date
18th century, ca. 1760s
Credit Line
Rubin Museum of Himalayan Art, Purchased from the Collection of Navin Kumar, New York
Object number
C2005.20.1
Bibliography
Patron and Painter: Situ Panchen and the Revival of the Encampment Style
HAR Number
65494
Published references
*Jackson, David P. Patron and Painter: Situ Panchen and the Revival of the Encampment Style. New York: Rubin Museum of Art, 2009. Fig. 1.21, 6.17, 9a, 9b; pp. vii, 16, 22, 127, 129, 166-169, 251* Jackson, David. A History of Tibetan Painting: the Great Tibetan Painters and Their Traditions. Wien: ╓sterreichische Akademie der Wisenschaften, 1996. Fig. 157, pp. 290, 295-299.* Brauen, Martin. Mandala: Sacred Circle in Tibetan Buddhism. New York: Rubin Museum of Art; Stuttgart: Arnoldsche Art Publishers, 2009. Fig 3.14; Pp. 60, 64. * Jackson, David, "Tibetan Painting"* Kang, Gesang Yixi. Zang chuan Gamagazi hua pai tang ka yi shu (karma sgar bris lugs kyi thang ka sgyu rtsal). Chengdu Shi: Sichuan mei shu chu ban she, 2012. Xia juan: p. 270* Kang, Gesang Yixi. Gama Gazi huapai tangka (karma sgar bris lugs kyi thang ga). Beijing: Wenu chubanshe, 2015: p. 105* Skal-bzang-ye-shes, and Tshe-ring-?gyur-med. Zang zu mei shu ji cheng (bod kyi mdzes rtsal kun btus). Chengdu: Sichuan min zu chu ban she, 2015: p. 111* Debreczeny, Karl. The Black Hat Eccentric: Artistic Visions of the Tenth Karmapa. New York: The Rubin Museum of Art, 2012, pp. 248-249. (Fig. 9.1)

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Transmission

Concepts

The passing down of authentic Buddhist teachings from a teacher to a disciple or student, often in the form of a text in a ritualistic context.

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Lineage

Concepts

The transmission of teachings from one generation to the next, from teacher to student, traced all the way back to the Buddha without interruption. A complete lineage is essential in Tantric Buddhist practices as it makes the blessings of the teaching more powerful.

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Legendary and Historical Humans

Figure Type

Himalayan art includes portraits of legendary and historical humans, including accomplished religious teachers (lamas), the Buddha’s original disciples (arhats), and spiritually accomplished tantric masters (mahasiddhas).

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