The sacred mountain Wutai (Wutaishan 五臺山), located in Shanxi Province, China, is believed to be the earthly abode of the bodhisattva of wisdom Manjushri. Mount Wutai was a sacred site to Chinese Buddhists as far back as the fifth century. From the seventh century on, it became an international pilgrimage center, attracting Buddhist pilgrims from as far away as India, Kashmir, Tibet, Japan, and Korea. While Tibetan Buddhism was firmly established on Mount Wutai during the Mongol Yuan dynasty (1271–1368), by the 18th and 19th centuries Mount Wutai had become especially important to Tibetans, Mongols, and Manchus.

This panoramic view of Mount Wutai is an impressive, six-foot-wide woodblock print on cloth that has been hand colored. There are some 30 known surviving prints of this map. It was carved on Mount Wutai in 1846 by a Mongolian monk named Lhundrup at a local monastery, Cifu Temple (慈福寺), which served as the main lodging for Mongolian monks visiting the mountain.

This map contains more than 150 sites of interest to the pilgrims who ventured to Mount Wutai. These sites are labeled with Chinese and Tibetan inscriptions, including Buddhist monasteries, Taoist temples, villages, sacred objects, and locations of events, both historic and miraculous. Winding paths with tiny travelers link one temple to another, suggesting possible itineraries of pilgrimage. Pilgrims traveled this sacred mountain to see divine visions, which took the form of miraculous light and cloud formations, a ubiquitous presence on this map. The most prominent monastery, Bodhisattva Peak Monastery (Pusa Ding), appears much larger than the others. This temple was converted into a Manchu imperial establishment shortly after the Qing dynasty was founded in the mid-17th century, which is denoted by its bright yellow roof.

A masked dance procession, the focus of ritual activity on the mountain, leads from the monastery down the center of the map. The content of the sites and events marked on the map are a complex historical layering of Chinese, Tibetan, Mongol, and Manchu involvement on the mountain. Many Mongols were ardent followers of the Gelukpa, the monastic order of the Dalai Lama, and this map asserts not only a Tibetan Buddhist religious identity but, more specifically, a Gelukpa identity to Mount Wutai. The Gelukpa founder, Tsongkhapa (1357–1419), who was considered a Tibetan emanation of Manjushri, can be found everywhere on the map, including visions of him emanating on clouds from Mount Wutai’s five peaks. Thus, this map declares both an ethnic and sectarian identity.

The trilingual dedicatory inscriptions at the bottom promise the benefits of seeing this image, including being free from all calamities and diseases, and enjoying boundless blessings, happiness, and longevity.

Artwork Details

Title
Panoramic Map of Mount Wutai
Artist
Lhundrup
Dimensions
47 1/8 × 68 in. (estimated)
Medium
Woodblock print on linen, hand colored
Origin
Cifu Temple (慈福寺), Wutaishan, Shanxi Province, China
Classification(s)
woodblock print (not assigned) map scroll painting paintings
Date
1846
Credit Line
Rubin Museum of Himalayan Art
Object number
C2004.29.1
Bibliography
HAR Number
65371
Published references
  • Rob Linrothe, Holy Madness: Portraits of Tantric Siddhas (Rubin Museum of Art; Serindia Publications, 2006), 166-168, 421, fig. 10.1.
  • Virginia Chieffo Raguin, Dina Bangdel, and F. E. Peters, Pilgrimage and Faith: Buddhism, Christianity and Islam (Serindia Publications, 2010), 104-105, fig. 16.
  • Donald Rubin, “Looking to the Future,” Arts of Asia 40, no. 2, (2010): 64.
  • Christophe Stefan Jean Baumer, China's Holy Mountain: An Illustrated Journey Into the Heart of Buddhism (I.B. Tauris & Co Ltd., 2008), 228-231.
  • Isabelle Charleux, Nomads on Pilgrimage: Mongols on Wutaishan (China) 1800-1940 (Brill, 2015), 16, color figs. 3, 45.
  • Wen-shing Chou, "Maps of Wutai Shan: Individuating the Sacred Landscape through Color,"Journal of the International Association of Tibetan Studies, no. 6 (December 2011), <a href="http://www.thlib.org?tid=T5713.
  • Wen-shing Chou, "Ineffable Paths: Mapping Wutaishan in Qing-Dynasty China,” Art Bulletin 89, no. 1 (March 2007): 108-129.
  • Wen-shing Chou, Mount Wutai: Visions of a Sacred Buddhist Mountain (Princeton University Press, 2018), 124-125, fig. 4.2, detail shots: figs. 4.21, 4.22, 4.23, 4.32, 4.33, 4.34, 4.40, 4.43.
  • Karl Debreczeny, "Wutaishan: Pilgrimage to Five Peak Mountain,” Journal of the International Association of Tibetan Studies, Issue 6 (Dec 2011): 49-56, cat. 1.
  • Natalie Köhle, "Why Did the Kangxi Emperor Go to Wutai Shan?: Patronage, Pilgrimage, and the Place of Tibetan Buddhism at the Early Qing Court,” Late Imperial China 29, no. 1 (June 2008): 117, 98.
  • The All-Knowing Buddha: A Secret Guide (Rubin Museum of Art, 2013), 28, 168, fig. 18.
  • Karl Debreczeny, Faith and Empire: Art and Politics in Tibetan Buddhism (Rubin Museum of Art, 2019), 192-193, 268, fig. 9.1.
  • Harry Halén, Mirrors of the Void: Buddhist Art in the National Museum of Finland, 63 Sino-Mongolian Thangkas from the Wutai Shan Workshops, a Panoramic Map of the Wutai Mountains and Objects of Diverse Origin (Helsinki: National Board of Antiquities, 1987), 142–159.
  • Wen-shing Chou, Mount Wutai: Visions of a Sacred Buddhist Mountain (Princeton, NJ: Princeton University Press, 2018).
  • Wen-Shing Chou, “Panoramic Map of Mount Wutai: Transcultural Visions of a Buddhist Mountain,” Project Himalayan Art, Rubin Museum of Art, 2023, http://rubinmuseum.org/projecthimalayanart/essays/panoramic-map-of-mount-wutai.
  • Karl Debreczeny, “Wutai Shan: Pilgrimage to Five-Peak Mountain,” Journal of the International Association of Tibetan Studies 6 (December 2011): 1–133 (catalog entry 49–59), http://www.thlib.org?tid=T5714
  • Saren Gaowa 薩仁高娃 and Qianyi nuo 錢伊諾. "Qingdao guang ershíliu nian ke “Wutaishan sheng jing quan tu” tanxi." 清道光二十六年刻《五臺山聖境全圖》探析 (Analysis of the Complete Map of the Holy Land of Mount Wutai Carved in the 26th Year of Daoguang in the Qing Dynasty)". Wenjin Xuezhi 文津学志. 03 (2021): 87-107.
split image of map on the left and a blue background with "Pilgrimage Map of Mt. Wutai" in white text on the right
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Storytelling

Concepts

A vehicle for the preservation and transmission of knowledge. The Buddha’s teachings were originally passed down through oral transmission and storytelling, and stories of the Buddha’s past lives are considered an important source of inspiration and guidance.

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Visualization

Concepts

A meditation technique primarily used in tantric practice that involves imagining a deity in one’s mind or imagining oneself becoming a deity and carrying out various activities. Such techniques are intended to help a practitioner transform ordinary perception and achieve enlightened qualities.

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Chinese Regions

Region

Although Tibetan Buddhism was not practiced broadly in China, the imperial centers, such as Beijing and Mount Wutai, emerged as hubs of Tibetan Buddhist cultural production. The emperors of the Mongol Yuan (1271–1368), Chinese Ming (1368–1644), and Manchu Qing (1644–1911) dynasties harnessed Tibetan Buddhist ideas to consolidate their power.

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