Senge Dradok, One of the Eight Manifestations of Padmasambhava Kham Province, Eastern Tibet 18th century Pigments on cloth
Dorje Drolo, One of the Eight Manifestations of Padmasambhava Kham Province, Eastern Tibet 19th century Pigments on cloth
Loden Chokse, One of the Eight Manifestations of Padmasambhava Kham Province, Eastern Tibet 19th century Pigments on cloth
Pema Gyelpo, One of the Eight Manifestations of Padmasambhava Eastern Tibet early 20th century Ground mineral pigment on cotton
Orgyen Dorje Chang, One of the Eight Manifestations of Padmasambhava Eastern Tibet 19th century Pigments on cloth
Padmasambhava, Pema Jungne Kham Province, Eastern Tibet late 18th-19th century Pigments on cloth
Four Mandalas of the Vajravali Cycle Ewam Choden Monastery, Tsang region, central Tibet 1429–1456 pigments on cloth
Vajrabhairava Solitary of Rwa Lotsawa Tradition Western mural painting in Hevajra Chapel, middle floor, Gongkar Chode Monastery, Gongkar County, Lhokha, U region, central Tibet (present-day TAR, China) ca. 1464–1476 Khyentse Chenmo (active 15th century)
Drenpa Namkha (ca. 8th century) Amdo Province, Eastern Tibet 19th century Pigments on cloth
Bon Lama Sanggye Lingpa (1705-1735) Gyelrong, Eastern Tibet 19th century Pigments on cloth
Takla Membar Tibet 19th century Pigments on cloth
The Buddhist Deities Chakrasamvara and Vajravarahi Tibet (by a Newar artist) ca. 15th century mineral pigments and traces of gold on cotton cloth
Maitreya Procession at Lama-yin Gegeen-ü Khüriye Mongolia late 19th–early 20th century Gempil-yin Dorji (Mongolian, late 19th–early 20th century) colors on cotton
Maitreya Mongolia late 19th century Gendundamba (Mongolian, late 19th–early 20th century) colors on cotton
Panchen Lama rebirth lineage portraits, set of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
Kaumari Nepal 17th or 18th century Gilt copper alloy with semiprecious stone inlays
Buddha Shakyamuni with Arhats Ushnisavijaya and Celebration of Old Age (Jyatha Janko) Cosmic Vishnu (Vishvarupa) Chariot Ritual (Bhimaratha Pata) Ritual Peg (purba) Bodhisattva Suryabaskara Bodhisattva Kshitigarbha Bodhisattvas Maitreya and Manjushri in Tushita Pure Realm Maitreya Chakrasamvara with Consort Vajravarahi Chakrasamvara with Consort Sitatapatra Tara as Protectress from the Eight Fears Tara, as a Great Yogini, After a Set of Paintings “Twenty-seven Tantric Deities” designed by Situ Panchen (1700-1774) Buddha Amitayus Illuminated Manuscript Page Depicting Four Forms of Mahakala & Vaishravana Vajravarahi Vairochana, From a Set of Initiation Cards (Taskali) White Tara Padmasambhava Avalokiteshvara Medicine Buddha Palace (copy of first painting from the set of the Tibetan Medical Paintings from Mentsikhang Lhasa) Vasudhara, Goddess of Abundance Medical Painting of Minor Connecting Blood Vessels or Capillaries, Illustration to the Medical Treatise The Blue Beryl, Chapter 4 Vajrayogini Sakya Pandita Kunga Gyelsten Medical Painting on Prophylactics, Diagnosis, and Therapeutic Principles, Illustration to the Medical Treatise the Blue Beryl, Chapters 23–28 Panjaranatha Mahakala Panjaranatha Mahakala Mandala of Chakrasamvara Mahakala Red Avalokiteshvara or Bunga Dya Heruka with Consort Refuge Field with Machik Labdron (1055–1153) Vishnu with the King of Snakes, Shesha Siddhi Lakshmi Life Story of Buddha Shakyamuni Buddha Shakyamuni and Teaching Stories (Avadana) Life Story of Tsongkhapa (1357–1419) Padmasambhava and his eight manifestations Arhat Nagasena Wheel of Existence Arhat Ajita Jamgon Kongtrul Lodro Taye (1813-1899) Rongzom Chokyi Zangpo (1012-1088) Buddha Amitayus Tsongkapa (1357-1419) Green Tara The Fifth Dalai Lama Ngawang Lobzang Gyatso (1617–1682) with Previous Incarnations Manjushri Mahasiddha Avadhutipa Ushnishavijaya Indrabhuti, from a set of the Eight Great Adepts (Mahasiddhas) Pelden Lhamo Mongolia late 17th century appliqué, embroidery, jewel insertions
Tara central Tibet ca. 1260 distemper on cloth
Changkya Rolpai Dorje China 18th century ink and colors on silk
Damchen, the Oath-Bound Protector Gura Sharkha, Minyak, Kham region, eastern Tibet dated 1655 Attributed by inscription to Tenth Karmapa, Choying Dorje (Tibetan, 1604–1674) ground mineral pigment on silk
Dancing Ganapati central Tibet ca. mid-15th century distemper on linen
Desi Sanggye Gyatso (1653–1705) Tibet 17th century woodblock print
Desire Lhasa 2020 Tsering Dolma (b. 1966, Lhasa) oil on canvas
Bunga Dyo, the Legend of Red Avalokiteshvara Nepal 1712 pigments on cloth
Detail of Fountain outside Bhaktapur Palace, showing sculpted stone spout Bhaktapur, Nepal 1688
Illustrated Manuscript Depicting the Story of Water Nepal 17th century pigments on paper
Detail of Makzor Gyelmo, Queen Who Repels Armies, from lower right of painting, showing four ladies with a range of vessels including a two-toned, open-top pitcher with spout and handle Amdo region, eastern Tibet 19th century pigments on cloth
Guru Rinpoche/ Padmasambhava Taktsang, upper Lhakhang, Upper Paro Valley, western Bhutan ca. 1692–93 (destroyed in 1998 fire) pigment on canvas
Detail of Pegam Chest showing pitcher and chemar bo grain vessel on the central table as greeting offerings 19th century colors on wood
Detail of tashi gomang Tashichhodzong, Thimphu, Bhutan 17th century wood, brass, silver, gold plating, semi-precious stones, glass beads, clay statues
Detail of The Altan Khan’s Family Back Shrine of the Main Assembly Hall, Maidari-yin Juu, Inner Mongolia, China 18th century
Detail of Two Arhats and Heshang with a Woman Washing Daikon Lijiang, Yunnan Province, China dated 1660 Tenth Karmapa, Choying Dorje (Tibetan, 1604–1674) ink and pigment on silk
Detail of Two Indian and Four Tibetan Masters central Tibet early 13th century pigments on cloth
Ushnishavijaya Tibet 18th century ground mineral pigment on cotton
Drawing of Vajravarahi ca. 1687 Lhodrak Kukye Norbu Gyatso (active late 17th century) ink on paper
Drilbu Bell Claimed to Have Been Discovered by Dorje Lingpa Thimpu, Bhutan discovered in the 14th century bronze
Dungtso Repa Extracting Treasure, detail of a thangka Gangteng Monastery, Nubding, Bhutan
Elephant-skin drum with stone base inside Longguodian (Hall of Dynastic Prosperity) China Ming dynasty (1368–1644) elephant skin, wood, stone
Folios from a Biography of Milarepa Tibet 17th–18th century ink on colors on paper
Forty-Three-Deity Mandala of Manjuvajra central Tibet 1375–1380 distemper on cloth
Fourth Panchen Lobzang Chokyi Gyeltsen (1570–1662), with previous incarnations Tsang region, central Tibet mid-17th century Attributed by inscription to Choying Gyatso (act. 17th century) gold thangka; ground mineral pigment on cotton
Geluk Refuge Field with Tsongkhapa central Tibet ca. late 18th–early 19th century pigments on cloth
Ghantapa as one of the Eight Great Tantric Adepts Kham region, eastern Tibet 18th century pigments on cotton
Giant appliqué scroll representing Padmasambhava and his Eight Emanations Paro Tshechu, Bhutan
Godāvapa Stūpa Sri Lanka 1941 Gendun Chopel (Tibetan, 1903–1951) watercolor
Goddess Marichi Mongolia late 17th or early 18th century Attributed to Zanabazar (Mongolian, 1635–1723) or his workshop gilt copper alloy
Green Tara central Tibet ca. 1260s gum tempera, ink, pigments, gold on sized cotton
Guru Padmasambha, the scholar manifestations of Padmasambhava Lo Gekhar Monastery, Mustang, Nepal mid-17th century papier-mâché
Herbal Medicines, Painting 26 of the Tibetan Medical Paintings, Ulan Ude Set Lhasa, central Tibet early 20th-century copy of original from ca. 1687–1697 pigments on cloth
Icon of Five Auspicious Long Life Sisters Bhutan clay
Ikh Khüree Naadam Mongolia 1966 D. Damdinsüren (Mongolian, 1909-1984) colors on cotton
Ikh Khüree Tsam Mongolia 1966 D. Damdinsüren (1909–1984) colors on cotton
Jügdernamjil (Three Deities of Longevity) Mongolia late 19th century Jügdür (Mongolian, flourished late 19th–early 20th century) colors on cotton
Juu Shakyamuni with his pupils made in Dolonnuur, Inner Mongolia, decorated in Buryatia (Federation of Russia) 19th century gilded alloy of silver and other metals, turquoise and corals
Karmapa in Cave (Tenth Karmapa, Sixth Gyeltsab, and Kuntu Zangpo) Tibet or Gyeltang, northern Yunnan 17th century (ca. 1668–1674) Attributed to Tenth Karmapa, Choying Dorje (Tibetan, 1604–1674) pigments on silk
King of Lijiang, Mu Zeng (1598–1646; r. 1598–1624/46), Official Portrait Lijiang, China Qing dynasty (1644–1911) album leaf, ink and pigment on paper
Lama (Teacher) Zhabdrung Ngawang Namgyel (1594–1651) Bhutan early 18th century ground mineral pigment on cotton
Lama Chogyur Lingpa (1829–1870) Kham region, eastern Tibet 19th century pigments on cloth
Lama Zhang Tangut Xixia 1032–1227 kesi silk tapestry
Life Portrait of the Sixth Zhamar, Garwang Chokyi Wangchuk (1584–1630) Tibet early 17th century (before 1630) silver
Life Story of Buddha Shakyamuni Tibet 19th century Pigments on cloth
Maitreya Mongolia 1680s Zanabazar (1635–1723) gilt bronze with blue pigment in the hair
Maitreya Mongolia 1680s Zanabazar (1635–1723) gilt bronze with blue pigment in the hair
Maitreya Procession in Yekhe Khüriye 1965 D. Damdinsüren (Mongolian, 1909–1984) colors on cotton
Canopy of a Mahakala Yantra Tibet 18th century ground mineral pigment on cotton
Mandala of Sarvavid Vairocana (Durgatiparisodhana from the Vajradhatu Mandala Series) Inner Mongolia or Beijing ca. 18th century colors on cloth with cloth mounting
Mandala of the Buddhist Deity Chakrasamvara Nepal dated 1490 mineral pigments on cotton cloth
Mandala of the Sun God Surya Surrounded by Eight Planetary Deities Nepal likely 1379 distemper on cloth
Manip displaying tashi gomang during Buddhist festival Punakha, Bhutan 1981
Manjughosha Emperor, Niched hanging shrine panel, Eastern Side Hall, Pavilion of Raining Flowers Map of Yekhe Khüriye Mongolia 19th century colors on cotton
Map of Yekhe Khüriye Mongolia late 19th century Balgan (act. late 19th century) colors on cotton
Marpa Lotsawa (1012–1097) Tibet 17th century Attributed by inscription to Tenth Karmapa, Choying Dorje (Tibetan, 1604–1674) pigments on silk
Medical Lineage Holders, Painting 80 of the Tibetan Medical Paintings, Lhasa Set Lhasa, central Tibet early 20th century pigments on cloth
Mu Zeng as a Monk (木生白画像) Xitansi Monastery, Chicken Foot Mountain, Yunnan Province, China 17th century pigments on silk
Nagarjuna and Aryadeva, after Situ’s set of The Six Ornaments and Two Excellent Ones Kham region, eastern Tibet 19th century pigments on cotton
Namra Tseku, detail of thangka Tibet
Nine Deity Offering Mongolia 19th century pigments on cloth
Nineteenth-Century Copy of the Paubha Commemorating the Death of Pandita Vanaratna (1384–1468) Patan, Nepal 1862 opaque watercolors on cloth
Ninth Karmapa, Wangchuk Dorje (1555–1603) Central Tibet late 16th century
Open tashi gomang Thimphu, Bhutan 19th–20th century wood, brass, silver, clay statues
Padmapani Lokeshvara Tibet 17th century Attributed to Tenth Karmapa, Choying Dorje (Tibetan, 1604–1674) ivory
Painted Scroll of Bhimaratha Ritual Hāku Bāhāḥ, Kathmandu, Nepal dated by inscription January 1830 distemper and gold on cloth
Painted Scroll of Laksha Chaitya Ritual Kathmandu, Nepal dated by inscription January 1808 opaque watercolor on cotton cloth
Painting of Machik Labdron (1055–1153) Kham region, eastern Tibet 19th century pigments on cloth
Painting of Temples and Monasteries of Lhasa Kham region, eastern Tibet 1900–1920 gouache on cotton
Panjarnatha Mahakala Tibet 18th century pigments on cloth
Pema Lingpa Kunzangdrak Monastery, Bhutan statue
Portrait of Vanaratna (1384–1468) central Tibet 15th century distemper on cloth
Prajnaparamita Tamshing Lhundrub Choling Temple, Bumthang District, Bhutan 1503–1505 with potential later interventions mural
Sixth Panchen Lobzang Pelden Yeshe (1738–1780), one of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
Manjushriyashas (Jampel Drak), one of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
Bhaviveka (Lekden Je, ca. 500–ca. 578), one of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
Abhayakaragupta (Jigme Jungne Bapa, d. 1125), one of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
Go Lotsawa Khukpa Lhetse (11th century), one of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
Sakya Pandita Kunga Gyeltsen (1182–1251), one of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
Yungton Dorje Pel (1284–1365), one of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
[First Panchen] Khedrubje Gelek Pelzang (1385–1438), one of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
[Second Panchen] Sonam Choklang (1439–1504), one of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
Subhuti (Rabjor), one of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
Fourth Panchen Lobzang Chokyi Gyeltsen (1567–1662), one of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
[Third Panchen] Wensapa Lobzang Dondrub (1505–1566), one of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
Fifth Panchen Lobzang Yeshe (1663–1737), one of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
Protective Astrological Chart Tibet late 18th or early 19th century pigments on cloth
Ratnasambhava central Tibet ca. mid-13th century distemper on cloth
Rock Painting (no longer extant) Taktsang, Upper Paro Valley, western Bhutan ca. 14th–15th century
Rock Painting of a Bird Che Do, Lake Namtso, Tibet Protohistoric or Early Historic period (ca. 600–1000 CE) red ocher, rock
Rock paintings in red ocher of a conjoined sun and moon, two sunbursts, a tree, and two swastikas Chukargyam, Rutok, Tibet Iron Age (ca. 700–100 BCE) or Protohistoric period (ca. 100–600 CE) rock
Saint Drukpa Kunley, great-grandfather of Desi Tenzin Rabgye second floor, Desi Zimkhang, Tango Monastery 17th century (1688/90) pigment on canvas
Sarnath Buddha India ca. 1940 Gendun Chopel (Tibetan, 1903–1951) watercolor
Sarvavid Vairochana Mandala Tibet 17th century pigments on cloth
Sculpted Image of Nyephu (Hephu) Trulku Sangag Gyeltsen (ca. 1600–1661) Neyphu Temple; Paro, Bhutan date unknown painted clay
Shakyamuni Flanked by His Main Disciples Lijiang, Yunnan Province 17th century Karmapa workshop ink and color on silk
Siddhi Lakshmi Nepal 17th century gilt copper alloy
Situ Panchen as Patron of The Wish-Granting Vine Series of One Hundred and Eight Morality Tales, twenty-third painting after Situ’s set Kham region, eastern Tibet 19th century pigments on cotton
Songtsen Gampo with Handprints and Footprints Tibet late 17th century ground mineral pigments on cloth
Spring Morning India ca. 1940 Gendun Chopel (Tibetan, 1903–1951) watercolor
Statue of Shakyamuni Buddha (Buddha Dordenma) Thimphu, Bhutan 2015 concrete base with gilded bronze body
Tara Tibet 17th century Atelier of Tenth Karmapa, Choying Dorje (Tibetan, 1604–1674) or later followers brass with pigments
Thangka of Kongpo Bonri, southeast Tibet, represented as the citadel of the tantric divinity Tsochok Khagying, Nyingtri, Kongpo, Tibet 18th century? cotton, mineral pigments
The Eight Great Events of the Buddha’s Life Tibet ca. 13th century pigments on cloth
The Fifth Dalai Lama, with Hand- and Footprints Tibet late 17th century pigments on cloth
The Five Tathagata, or Cosmic Buddhas, Forehead Ornament for a Deity Newari, for the Nepal or Tibet market 17th–19th century gold, diamonds, rubies, emeralds, sapphires, garnet, lapis lazuli, coral, turquoise
The Ninth Karmapa (left) and the Sixth Zhamar (right), editor of the Jang (Lijiang) Kangyur, frontispiece of the catalog (karchak) by the Sixth Zhamar, vol. 109 of the Jang Satham (Lijiang) edition of the Tibetan Kangyur, folio 1a Lijiang, Yunnan Province, China 1621 ink on paper
The Ninth Panchen Lama hanging on a pillar in Lhakhang, Lukhil Monastery, Likir Village, Ladakh, India Unknown photographer and artist painted photograph, framed
The Potala and the Principal Monuments of Central Tibet Tibet 19th century distemper on cloth
The Previous Lives of Buddha Shakyamuni Kham region, eastern Tibet 19th century pigments on cotton
The Wish-Granting Vine Series of One Hundred and Eight Morality Tales, twenty-first painting after Situ’s set Kham region, eastern Tibet 19th century pigments on cotton
Thirteen-Deity Mandala of Jnanadakini central Tibet 1375–1380 distemper on cloth
Thirteenth Karmapa, Dudul Dorje (1733–1797), from a Pelpung set of Masters of the Combined Kagyu Lineages Kham region, eastern Tibet ca. 1760s mineral pigments on cotton, silk brocade mount
Thirty-Two-Deity Mandala of Aksobhyavajra, the second painting of the Vajravali set commissioned in memory of Lama Dampa central Tibet, Sakya tradition 1375–1380 distemper on cloth
Throne of the Patan Kings Patan, Nepal 1666 gilt copper, wood, modern upholstery
Torana over the Main Entrance of Chusya Baha Kathmandu, Nepal 1663 wood
Turning the Wheel of the Dharma, eighth painting from a set of nine depicting the Twelve Deeds of the Buddha Tibet 17th century Atelier of Tenth Karmapa, Choying Dorje (Tibetan, 1604–1674) or later followers pigments on cloth
Two Stirrups Mongolian 16th–17th century iron, gold, silver
Unidentified Deity Seated on a Cow (Yama?) Tibet 17th century Attributed by inscription to Tenth Karmapa, Choying Dorje (Tibetan, 1604–1674) copper with traces of gilding
Urine Analysis, Painting 64 of the Tibetan Medical Paintings, Ulan Ude Set Lhasa, central Tibet early 20th-century copy of original from ca. 1687–1697 pigments on cloth
Vairochana Chokhor or Konchosum Lhakhang, Bumthang, Bhutan date unknown painted clay
Vajradhara and Consort Nepal 1488 distemper on cloth
Vajradhara, Nairatmya, and Mahasiddhas Virupa and Kanha central Tibet ca. 1450 distemper on cloth
Vajradhatu (Diamond Realm) Mandala central Tibet 14th century distemper and gold on cloth; 36×29½ in. (91.4 × 74.9 cm); The Metropolitan Museum of Art, New York; Lent by The Kronos Collections
Vasudhara Mandala Nepal dated 1777 (Samvat 897) distemper on cloth
Victory over Mara Mongolia? 19th century Pigments on cloth
White Chakrasamvara, from Situ’s set of The Twenty-Seven Tantric Deities Kham region, eastern Tibet ca. 18th century pigments on cotton
Window No. 1 Tolung, Lhasa 2020 Penpa (b. 1974, Lhasa) mixed media
Woodblock for Printing Prayer Flags with Print Himalayan region 15th–19th century pigments on wood
Zhabdrung Rinpoche Ngawang Namgyel (1594–1651?) second-floor hallway, Tango Monastery 17th century (1688/90) pigment on canvas
对面的山 [Opposing Mountains], 1986 Gonkar Gyatso (b. 1961, Lhasa) gouache on canvas
2020 Lhasa 2020 Nortse (b. 1963, Lhasa) mixed media
Achala Tangut Xixia, excavated from Kara Khoto 13th century pigments on cotton
Amitabha central Tibet ca. mid-13th century distemper on cloth
Amoghasiddhi central Tibet ca. mid-13th century distemper on cloth
Anatomy, Painting 49 of the Tibetan Medical Paintings, Ulan Ude Set Lhasa, central Tibet early 20th century copy of original from ca. 1687–1697 pigments on cloth
Arhat Ajita China Yongle period (1402–1424) mineral pigments on silk
Avalokiteshvara Tamshing Lhundrub Choling Temple, upper floor, Bumthang District, Bhutan 1503–1505 with potential later interventions mural
Avalokiteshvara, after Situ’s set of Eight Great Bodhisattvas Kham region, eastern Tibet 19th century pigments on cotton
Avalokiteshvara, traced from a composition by Konchok Pende of E (from Situ’s set of Eight Great Bodhisattvas) Kham region, eastern Tibet 19th century pigments on cloth
Bat-Tsagaan Assembly Hall Yekhe Khüriye, Mongolia mid-17th century Zanabazar (1635–1723) felt, wood
Begtse (Jamsran) Mongolia late 19th century Gendendamba (late 19th–early 20th century) colors on cotton
Buddha Kasyapa, Buddha Shakyamuni, and Maitreya (the Buddhas of the Past, Present, and Future) Phurdrup Monastery, Bhutan ca. 19th century Attributed to a sculptor of the Hephu tradition painted clay
Buddha Shakyamuni and Two Disciples Tibet 15th century attributed to Menla Dondrub pigments on cotton
Buddha Shakyamuni, central painting from a set of seven paintings Lijiang, Yunnan Province, China dated 1660 Tenth Karmapa, Choying Dorje (Tibetan, 1604–1674)
Central Buddha Sculpture Khewang Lhakhang, Phobjikha, Bhutan date unknown painted clay
Project Himalayan Art
