Senge Dradok, One of the Eight Manifestations of Padmasambhava Kham Province, Eastern Tibet 18th century Pigments on cloth
Dorje Drolo, One of the Eight Manifestations of Padmasambhava Kham Province, Eastern Tibet 19th century Pigments on cloth
Loden Chokse, One of the Eight Manifestations of Padmasambhava Kham Province, Eastern Tibet 19th century Pigments on cloth
Pema Gyelpo, One of the Eight Manifestations of Padmasambhava Eastern Tibet early 20th century Ground mineral pigment on cotton
Orgyen Dorje Chang, One of the Eight Manifestations of Padmasambhava Eastern Tibet 19th century Pigments on cloth
Padmasambhava, Pema Jungne Kham Province, Eastern Tibet late 18th-19th century Pigments on cloth
Four Mandalas of the Vajravali Cycle Ewam Choden Monastery, Tsang region, central Tibet 1429–1456 pigments on cloth
Vajrabhairava Solitary of Rwa Lotsawa Tradition Western mural painting in Hevajra Chapel, middle floor, Gongkar Chode Monastery, Gongkar County, Lhokha, U region, central Tibet (present-day TAR, China) ca. 1464–1476 Khyentse Chenmo (active 15th century)
Drenpa Namkha (ca. 8th century) Amdo Province, Eastern Tibet 19th century Pigments on cloth
Bon Lama Sanggye Lingpa (1705-1735) Gyelrong, Eastern Tibet 19th century Pigments on cloth
Takla Membar Tibet 19th century Pigments on cloth
The Buddhist Deities Chakrasamvara and Vajravarahi Tibet (by a Newar artist) ca. 15th century mineral pigments and traces of gold on cotton cloth
Maitreya Procession at Lama-yin Gegeen-ü Khüriye Mongolia late 19th–early 20th century Gempil-yin Dorji (Mongolian, late 19th–early 20th century) colors on cotton
Maitreya Mongolia late 19th century Gendundamba (Mongolian, late 19th–early 20th century) colors on cotton
Panchen Lama rebirth lineage portraits, set of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
Stirrups belonging to the equestrian set of Yuthok Tashi Dhondup Tibetan, Derge ca. 1943–1947 copper alloy, gold
Buddha Shakyamuni with Arhats Ushnisavijaya and Celebration of Old Age (Jyatha Janko) Chariot Ritual (Bhimaratha Pata) Bodhisattva Suryabaskara Mold for clay image (tsatsa) of Buddha Amitayus Crossed Vajra Bodhisattvas Maitreya and Manjushri in Tushita Pure Realm Chakrasamvara with Consort Vajravarahi Woodblock for printing prayer flag Handheld Prayer Wheel Sitatapatra Tara as Protectress from the Eight Fears Tara, as a Great Yogini, After a Set of Paintings “Twenty-seven Tantric Deities” designed by Situ Panchen (1700-1774) Buddha Amitayus Vajravarahi Vairochana, From a Set of Initiation Cards (Taskali) White Tara Padmasambhava Medicine Buddha Avalokiteshvara Medicine Buddha Palace (copy of first painting from the set of the Tibetan Medical Paintings from Mentsikhang Lhasa) Medical Painting of Minor Connecting Blood Vessels or Capillaries, Illustration to the Medical Treatise The Blue Beryl, Chapter 4 Vajrayogini Sakya Pandita Kunga Gyelsten Medical Painting on Prophylactics, Diagnosis, and Therapeutic Principles, Illustration to the Medical Treatise the Blue Beryl, Chapters 23–28 Panjaranatha Mahakala Buddha’s Birth, from a set of the Twelve Deeds of the Buddha, Print from a woodblock Mandala of Chakrasamvara Birth of the Buddha, from a set of the Twelve Deeds of the Buddha, after a carved woodblock Buddha Vairochana Red Avalokiteshvara or Bunga Dya Heruka with Consort The Stages of Nepalese Lost-Wax Metal Casting Refuge Field with Machik Labdron (1055–1153) Siddhi Lakshmi Life Story of Buddha Shakyamuni Buddha Shakyamuni and Teaching Stories (Avadana) Life Story of Tsongkhapa (1357–1419) Padmasambhava and his eight manifestations Arhat Nagasena Wheel of Existence Jamgon Kongtrul Lodro Taye (1813-1899) Shrine Cabinet (chosham) Rongzom Chokyi Zangpo (1012-1088) Buddha Amitayus The Fifth Dalai Lama Ngawang Lobzang Gyatso (1617–1682) with Previous Incarnations Indrabhuti, from a set of the Eight Great Adepts (Mahasiddhas) Tara central Tibet ca. 1260 distemper on cloth
Chakpori Medical College Tibet 1905 L. Austine Waddell pencil on paper
Damchen, the Oath-Bound Protector Gura Sharkha, Minyak, Kham region, eastern Tibet dated 1655 Attributed by inscription to Tenth Karmapa, Choying Dorje (Tibetan, 1604–1674) ground mineral pigment on silk
Dancing Ganapati central Tibet ca. mid-15th century distemper on linen
Demon-Binding Against Sickness Dolpo region, western Nepal ca. 1975 ink on paper
Desire Lhasa 2020 Tsering Dolma (b. 1966, Lhasa) oil on canvas
Bunga Dyo, the Legend of Red Avalokiteshvara Nepal 1712 pigments on cloth
Illustrated Manuscript Depicting the Story of Water Nepal 17th century pigments on paper
Detail of Makzor Gyelmo, Queen Who Repels Armies, from lower right of painting, showing four ladies with a range of vessels including a two-toned, open-top pitcher with spout and handle Amdo region, eastern Tibet 19th century pigments on cloth
Detail of Mural of Fourteenth Dalai Lama Receiving International Dignitaries Norbulingka, Lhasa, Tibet 1956 Amdo Jampa (Tibetan, 1911–2002)
Guru Rinpoche/ Padmasambhava Taktsang, upper Lhakhang, Upper Paro Valley, western Bhutan ca. 1692–93 (destroyed in 1998 fire) pigment on canvas
Detail of Pegam Chest showing pitcher and chemar bo grain vessel on the central table as greeting offerings 19th century colors on wood
Detail of The Altan Khan’s Family Back Shrine of the Main Assembly Hall, Maidari-yin Juu, Inner Mongolia, China 18th century
Detail of Two Indian and Four Tibetan Masters central Tibet early 13th century pigments on cloth
Ushnishavijaya Tibet 18th century ground mineral pigment on cotton
Do What You Love 2010 Gonkar Gyatso (b. 1961, Lhasa) bronze and polyester resin
Dungtso Repa Extracting Treasure, detail of a thangka Gangteng Monastery, Nubding, Bhutan
Forty-Three-Deity Mandala of Manjuvajra central Tibet 1375–1380 distemper on cloth
Fourth Panchen Lobzang Chokyi Gyeltsen (1570–1662), with previous incarnations Tsang region, central Tibet mid-17th century Attributed by inscription to Choying Gyatso (act. 17th century) gold thangka; ground mineral pigment on cotton
Geluk Refuge Field with Tsongkhapa central Tibet ca. late 18th–early 19th century pigments on cloth
Gendun Chopel (Tibetan, 1903–1951) India 1935 Photographer unknown photograph
George Tsarong in Yasor Costume, 1950 1950 Heinrich Harrer (Austrian, 1912–2006) photograph
Ghantapa as one of the Eight Great Tantric Adepts Kham region, eastern Tibet 18th century pigments on cotton
Godāvapa Stūpa Sri Lanka 1941 Gendun Chopel (Tibetan, 1903–1951) watercolor
Goddess Marichi Mongolia late 17th or early 18th century Attributed to Zanabazar (Mongolian, 1635–1723) or his workshop gilt copper alloy
Going on Pilgrimage on All Fours and An Ascetic Sleeping on the Points of a Thousand Wooden Spikes India ca. 1940 Gendun Chopel (Tibetan, 1903–1951) watercolor
Green Tara central Tibet ca. 1260s gum tempera, ink, pigments, gold on sized cotton
Group of Officials Riding Up to the Potala for New Year Festivities (named persons: Taring Jigme, Yuthok) February 13, 1937 Frederick Spencer Chapman (British, 1907–1971) photograph
Guru Rinpoche second floor hallway, Tango Monastery 17th century (1688/90) pigment on canvas
Halo with etched Buddha at Awakening and Attendants Kashmir ca. 720 brass, silver, copper
Handheld Prayer Wheel Tibet 19th–20th century jade, copper alloy, turquoise, glass, paper
Handheld Drum (Damaru) Tibet or Mongolia early 20th century wood, silk, leather, cornelian
Herbal Medicines, Painting 26 of the Tibetan Medical Paintings, Ulan Ude Set Lhasa, central Tibet early 20th-century copy of original from ca. 1687–1697 pigments on cloth
Ikh Khüree Naadam Mongolia 1966 D. Damdinsüren (Mongolian, 1909-1984) colors on cotton
Ikh Khüree Tsam Mongolia 1966 D. Damdinsüren (1909–1984) colors on cotton
Installation work in the exhibition Keepers of the Water Lhasa 1996 Gade (b. 1971, Lhasa)
Interior view of the “Jung Ho [Ronghe] idol factory” (copper workshop) located near the Yonghegong Monastery, Beijing, China 1930s
Jigme Taring, Tibetan noblemen and official, holding cine camera with still camera hanging at his side Lhasa possibly 1958 Chen Zonglie (Chinese; b. 1932)
Jügdernamjil (Three Deities of Longevity) Mongolia late 19th century Jügdür (Mongolian, flourished late 19th–early 20th century) colors on cotton
Kala, Maultier des Postreiters (Kala, mule of the post rider) Tibet 1938 or 1939 Ernst Schäfer (German, 1910–1992) photograph
Karmapa in Cave (Tenth Karmapa, Sixth Gyeltsab, and Kuntu Zangpo) Tibet or Gyeltang, northern Yunnan 17th century (ca. 1668–1674) Attributed to Tenth Karmapa, Choying Dorje (Tibetan, 1604–1674) pigments on silk
Lacquered Wood Duomu Pitcher with Gold Floral Designs China 19th–20th century lacquer, wood, gold
Lama (Teacher) Zhabdrung Ngawang Namgyel (1594–1651) Bhutan early 18th century ground mineral pigment on cotton
Lama Chogyur Lingpa (1829–1870) Kham region, eastern Tibet 19th century pigments on cloth
Lama Zhang Tangut Xixia 1032–1227 kesi silk tapestry
Lhasa Newars with Camera Lhasa 1940s Unknown photographer
Lhasa, der Wollhafen mit Details (Lhasa, wool port with details) Lhasa 1938 or 1939 Ernst Schäfer (German, 1910–1992) photograph
Lhasa, die große Neujahrsparade (Lhasa, the great New Year’s parade) Lhasa 1938 or 1939 Ernst Schäfer (German, 1910–1992 photograph
Life Story of Buddha Shakyamuni Tibet 19th century Pigments on cloth
Livestock Charm primarily Dolpo region, Nepal since 1975 ink on paper
Maitreya Procession in Yekhe Khüriye 1965 D. Damdinsüren (Mongolian, 1909–1984) colors on cotton
Major Events of the Buddha’s Life Northeastern India 12th century "Andagu" stone with pigments
Canopy of a Mahakala Yantra Tibet 18th century ground mineral pigment on cotton
Mandala of Sarvavid Vairocana (Durgatiparisodhana from the Vajradhatu Mandala Series) Inner Mongolia or Beijing ca. 18th century colors on cloth with cloth mounting
Mandala of the Buddhist Deity Chakrasamvara Nepal dated 1490 mineral pigments on cotton cloth
Mandala of the Sun God Surya Surrounded by Eight Planetary Deities Nepal likely 1379 distemper on cloth
Manip displaying tashi gomang during Buddhist festival Punakha, Bhutan 1981
Manjughosha Emperor, Niched hanging shrine panel, Eastern Side Hall, Pavilion of Raining Flowers Manjushri, torma butter sculpture Labrang Monastery, Amdo region, eastern Tibet (Gansu Province, China) 2014 flour, butter, natural pigments
Map of Yekhe Khüriye Mongolia 19th century colors on cotton
Map of Yekhe Khüriye Mongolia late 19th century Balgan (act. late 19th century) colors on cotton
Marpa Lotsawa (1012–1097) Tibet 17th century Attributed by inscription to Tenth Karmapa, Choying Dorje (Tibetan, 1604–1674) pigments on silk
Medical Lineage Holders, Painting 80 of the Tibetan Medical Paintings, Lhasa Set Lhasa, central Tibet early 20th century pigments on cloth
Monks on the “Golden Procession” Potala Palace, Lhasa, Tibet ca. 1936–1950 Hugh Richardson (British, 1905–2000) negative film nitrate
Mural of Hayagriva Assembly Hall, Nechung Monastery, Lhasa, U region, central Tibet (present-day TAR, China) ca. 1900, restored ca. 1996 materials unknown
Mural of Padmasambhava Assembly Hall, Nechung Monastery, Lhasa, U region, central Tibet (present-day TAR, China) ca. 1900, restored ca. 1996 materials unknown
Mural of the Nechung Oracle Shakya Yarpel (fl. 1856–1900) Assembly Hall, Nechung Monastery, Lhasa, U region, central Tibet (present-day TAR, China) ca. 1900, restored ca. 1996 materials unknown
Mural of Yamantaka, one of the Eight Sadhana Teaching Deities Assembly Hall, Nechung Monastery, Lhasa, U region, central Tibet (present-day TAR, China) ca. 1900, restored ca. 1996 materials unknown
Murals of Human Skins Courtyard, Nechung Monastery, Lhasa, U region, central Tibet (present-day TAR, China) ca. 1900, restored ca. 1996 materials unknown
Murals of Pehar’s Retinue Courtyard, Nechung Monastery, Lhasa, U region, central Tibet (present-day TAR, China) ca. 1900, restored ca. 1996 materials unknown
Murals of the Red and Black Butchers Western Entrance, Nechung Monastery, Lhasa, U region, central Tibet (present-day TAR, China) ca. 1900, restored ca. 1996 materials unknown
Nagarjuna and Aryadeva, after Situ’s set of The Six Ornaments and Two Excellent Ones Kham region, eastern Tibet 19th century pigments on cotton
Namra Tseku, detail of thangka Tibet
Nine Deity Offering Mongolia 19th century pigments on cloth
Nineteenth-Century Copy of the Paubha Commemorating the Death of Pandita Vanaratna (1384–1468) Patan, Nepal 1862 opaque watercolors on cloth
Ninth Karmapa, Wangchuk Dorje (1555–1603) Central Tibet late 16th century
Open tashi gomang Thimphu, Bhutan 19th–20th century wood, brass, silver, clay statues
Padmapani Lokeshvara Tibet 17th century Attributed to Tenth Karmapa, Choying Dorje (Tibetan, 1604–1674) ivory
Painted Scroll of Bhimaratha Ritual Hāku Bāhāḥ, Kathmandu, Nepal dated by inscription January 1830 distemper and gold on cloth
Painted Scroll of Laksha Chaitya Ritual Kathmandu, Nepal dated by inscription January 1808 opaque watercolor on cotton cloth
Painting of Machik Labdron (1055–1153) Kham region, eastern Tibet 19th century pigments on cloth
Painting of Temples and Monasteries of Lhasa Kham region, eastern Tibet 1900–1920 gouache on cotton
Palden Lhamo, torma butter sculpture Labrang Monastery, Amdo region, eastern Tibet (Gansu Province, China) 2014 flour, butter, natural pigments
Panjarnatha Mahakala Tibet 18th century pigments on cloth
Panoramic Map of Mount Wutai Cifu Temple, Wutaishan, China 1846 Monk Lhundrub, engraver of Sanggai Aimag (Ulaanbaatar, Mongolia) woodblock print on linen, hand colored
Photograph of the pre-Cultural Revolution Jowo Sakyamuni 1954 or 1955
Phunkhang Yabshi Kung, his wife and son Tibet 1948 Hugh E. Richardson (British, 1905–2000) negative film nitrate
Portrait of Vanaratna (1384–1468) central Tibet 15th century distemper on cloth
Sixth Panchen Lobzang Pelden Yeshe (1738–1780), one of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
Manjushriyashas (Jampel Drak), one of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
Bhaviveka (Lekden Je, ca. 500–ca. 578), one of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
Abhayakaragupta (Jigme Jungne Bapa, d. 1125), one of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
Go Lotsawa Khukpa Lhetse (11th century), one of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
Sakya Pandita Kunga Gyeltsen (1182–1251), one of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
Yungton Dorje Pel (1284–1365), one of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
[First Panchen] Khedrubje Gelek Pelzang (1385–1438), one of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
[Second Panchen] Sonam Choklang (1439–1504), one of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
Subhuti (Rabjor), one of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
Fourth Panchen Lobzang Chokyi Gyeltsen (1567–1662), one of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
[Third Panchen] Wensapa Lobzang Dondrub (1505–1566), one of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
Fifth Panchen Lobzang Yeshe (1663–1737), one of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
Protective Astrological Chart Tibet late 18th or early 19th century pigments on cloth
Rabden Lepcha in Delhi ca. 1915 Sir Charles Bell (British, 1870–1945) glass negative
Ratnasambhava central Tibet ca. mid-13th century distemper on cloth
Rock Painting (no longer extant) Taktsang, Upper Paro Valley, western Bhutan ca. 14th–15th century
Rock Painting of a Bird Che Do, Lake Namtso, Tibet Protohistoric or Early Historic period (ca. 600–1000 CE) red ocher, rock
Rock paintings in red ocher of a conjoined sun and moon, two sunbursts, a tree, and two swastikas Chukargyam, Rutok, Tibet Iron Age (ca. 700–100 BCE) or Protohistoric period (ca. 100–600 CE) rock
Russian Consulate and Holy Trinity Church Yekhe Khüriye, Mongolia 1912 Ivan Korostovets (Russian, 1862–1933) photograph
Saint Drukpa Kunley, great-grandfather of Desi Tenzin Rabgye second floor, Desi Zimkhang, Tango Monastery 17th century (1688/90) pigment on canvas
Sarvavid Vairochana Mandala Tibet 17th century pigments on cloth
Scenes from the Early Life of the Buddha western Tibet or western Nepal 14th century ink and pigment on cotton
Seated Buddha Flanked by Maitreya and Avalokiteśvara Palola Shahi Kingdom April 23, 715 brass with silver
Second Jamyang Zhepa (1728–1791), torma butter sculpture Labrang Monastery, Amdo region, eastern Tibet (Gansu Province, China) 2014 flour, butter, natural pigments
Shakyamuni, torma butter sculpture Labrang Monastery, Amdo region, eastern Tibet (Gansu Province, China) 2014 flour, butter, natural pigments
Situ Panchen as Patron of The Wish-Granting Vine Series of One Hundred and Eight Morality Tales, twenty-third painting after Situ’s set Kham region, eastern Tibet 19th century pigments on cotton
Skull Cup with Base Tibet 18th–20th century silver, turquoise, coral, brass alloy
Songtsen Gampo with Handprints and Footprints Tibet late 17th century ground mineral pigments on cloth
Spring Morning India ca. 1940 Gendun Chopel (Tibetan, 1903–1951) watercolor
Standing Buddha Kashmir late 10th to early 11th century brass with silver and copper inlay
Statue of Amitayus, Dolonnuur style 19th century silver with colors
Statue of Shakyamuni Buddha Ravangla, Sikkim, India 2013 concrete base with gilded bronze body
Statue of Shakyamuni Buddha Tawang, Arunachal Pradesh, India 2015 concrete base with gilded bronze body
Statue of Shakyamuni Buddha (Buddha Dordenma) Thimphu, Bhutan 2015 concrete base with gilded bronze body
Statue of Shiva Solophok Hill, Namchi, Sikkim, India 2011 concrete
Stone carving of twenty-one buddhas and two bodhisattvas Manthal village of Skardu, Pakistan ca. late 8th century
Stūpas in Old Carvings India ca. 1940 Gendun Chopel (Tibetan, 1903–1951) watercolor
Tara Tibet 17th century Atelier of Tenth Karmapa, Choying Dorje (Tibetan, 1604–1674) or later followers brass with pigments
Thangka of Kongpo Bonri, southeast Tibet, represented as the citadel of the tantric divinity Tsochok Khagying, Nyingtri, Kongpo, Tibet 18th century? cotton, mineral pigments
The Buddha’s Footprints and Incarnations of Avalokiteshvara Tibet 10–11th century ground mineral pigments on silk
The Dakini Nairatmya western Nepal/western Tibet 1300–1325 gilt copper
The Eight Great Events of the Buddha’s Life Tibet ca. 13th century pigments on cloth
The Fifth Dalai Lama, with Hand- and Footprints Tibet late 17th century pigments on cloth
The Five Tathagata, or Cosmic Buddhas, Forehead Ornament for a Deity Newari, for the Nepal or Tibet market 17th–19th century gold, diamonds, rubies, emeralds, sapphires, garnet, lapis lazuli, coral, turquoise
The Ninth Panchen Lama hanging on a pillar in Lhakhang, Lukhil Monastery, Likir Village, Ladakh, India Unknown photographer and artist painted photograph, framed
The Potala and the Principal Monuments of Central Tibet Tibet 19th century distemper on cloth
The Previous Lives of Buddha Shakyamuni Kham region, eastern Tibet 19th century pigments on cotton
The Wish-Granting Vine Series of One Hundred and Eight Morality Tales, twenty-first painting after Situ’s set Kham region, eastern Tibet 19th century pigments on cotton
Thirteen-Deity Mandala of Jnanadakini central Tibet 1375–1380 distemper on cloth
Thirteenth Karmapa, Dudul Dorje (1733–1797), from a Pelpung set of Masters of the Combined Kagyu Lineages Kham region, eastern Tibet ca. 1760s mineral pigments on cotton, silk brocade mount
Thirty-Five Buddhas of Confession Mongolia ca. 1914 Chimed, Gendendamba, Jügdür, and Khasgombo (all active early 20th century Mongolia) appliqué, embroidery
Thirty-Two-Deity Mandala of Aksobhyavajra, the second painting of the Vajravali set commissioned in memory of Lama Dampa central Tibet, Sakya tradition 1375–1380 distemper on cloth
Three Saddle Carpets, from a set of twenty-four woven in the 1930s for the cavalry of Yabzhi Punkhang Central Tibet 1920–1930 wool pile and weft, cotton warp
Three-Headed One of the Black Rituals, Bonpo version of a partially constructed effigy House of Pema Dolkar, Kagbeni, Mustang, Nepal 2007 Lama Tshultrim of Lubrak (b. 1949, Lubrak, Mustang, Nepal) clay, wood, iron, barley dough, bamboo, woolen yarn, turmeric, ephedra
Three-Headed One of the Black Rituals, Nyingma Buddhist version of a ritual effigy Sanepa, Kathmandu, Nepal 1995 Lama Karma Tshering of Tshognam (b. 1951, Tetang, Mustang, Nepal) clay, wood, iron, barley dough, bamboo, woolen yarn, chemical dyes
Turning the Wheel of the Dharma, eighth painting from a set of nine depicting the Twelve Deeds of the Buddha Tibet 17th century Atelier of Tenth Karmapa, Choying Dorje (Tibetan, 1604–1674) or later followers pigments on cloth
Turquoise Bridge Lhasa 1951 Tse Ten Tashi photograph
Unidentified Deity Seated on a Cow (Yama?) Tibet 17th century Attributed by inscription to Tenth Karmapa, Choying Dorje (Tibetan, 1604–1674) copper with traces of gilding
Urine Analysis, Painting 64 of the Tibetan Medical Paintings, Ulan Ude Set Lhasa, central Tibet early 20th-century copy of original from ca. 1687–1697 pigments on cloth
Ushnishavijaya Nalanda, Bihar, India ca. 11th–12th century stone
Vairochana Drak Lhamo
Vairochana and the Eight Bodhisattvas Markham, Tibet (present-day TAR, China)
Vajradhara and Consort Nepal 1488 distemper on cloth
Vajradhara, Nairatmya, and Mahasiddhas Virupa and Kanha central Tibet ca. 1450 distemper on cloth
Vajradhatu (Diamond Realm) Mandala central Tibet 14th century distemper and gold on cloth; 36×29½ in. (91.4 × 74.9 cm); The Metropolitan Museum of Art, New York; Lent by The Kronos Collections
Vasudhara Mandala Nepal dated 1777 (Samvat 897) distemper on cloth
Victory over Mara Mongolia? 19th century Pigments on cloth
Wheel of Existence Tashicholing Temple, Ulaanbaatar, Mongolia 20th or 21st century block print
White Chakrasamvara, from Situ’s set of The Twenty-Seven Tantric Deities Kham region, eastern Tibet ca. 18th century pigments on cotton
Wind-Powered Prayer Wheel (mani lung khor) Tibet before 1920 metal, ink, paper, bamboo, string
Window No. 1 Tolung, Lhasa 2020 Penpa (b. 1974, Lhasa) mixed media
Yuthok Tashi Dhondup (left) and Taring Jigme (right) in Military Uniform September 7, 1936 Frederick Spencer Chapman (British, 1907–1971) photograph
Zhabdrung Rinpoche Ngawang Namgyel (1594–1651?) second-floor hallway, Tango Monastery 17th century (1688/90) pigment on canvas
Red-Robed Monk of the Western Regions 1304 Zhao Mengfu (1254–1322) ink and colors on paper
Zhitro Mandala 2000 Pema Namdol Thaye (American, b. 1967, Bhutan) gilt metal on wooden armature, polymeric resin compound (for minor decorative caste motifs such as animals, tassels, banners, and Buddhist emblems), semi-precious stone inlays, pearls, colored glass, and more
对面的山 [Opposing Mountains], 1986 Gonkar Gyatso (b. 1961, Lhasa) gouache on canvas
“Cloud Faced” Black-Cloaked Mahakala Tibet 16th century either painted or inscribed by the Eighth Karmapa (1507–1554) ink and gold line on cloth
“Lhasa United” October 20, 1936 Frederick Spencer Chapman (British, 1907–1971) photograph
2020 Lhasa 2020 Nortse (b. 1963, Lhasa) mixed media
Achala Tangut Xixia, excavated from Kara Khoto 13th century pigments on cotton
Amitabha central Tibet ca. mid-13th century distemper on cloth
Amitayus, torma butter sculpture Labrang Monastery, Amdo region, eastern Tibet (Gansu Province, China) 2014 flour, butter, natural pigments
Amoghasiddhi central Tibet ca. mid-13th century distemper on cloth
An example of a khüriye encampment: the Torghut Prince Sin Chin Gegeen’s camp at Khara Shar Mongolia before 1927 photograph
Anatomy, Painting 49 of the Tibetan Medical Paintings, Ulan Ude Set Lhasa, central Tibet early 20th century copy of original from ca. 1687–1697 pigments on cloth
Arhat Ajita China Yongle period (1402–1424) mineral pigments on silk
Avalokiteshvara Yatse Kingdom (Khasa Malla Kingdom), western Nepal/western Tibet ca. 13th–14th century gilt-copper alloy
Avalokiteshvara Tamshing Lhundrub Choling Temple, upper floor, Bumthang District, Bhutan 1503–1505 with potential later interventions mural
Avalokiteshvara, after Situ’s set of Eight Great Bodhisattvas Kham region, eastern Tibet 19th century pigments on cotton
Avalokiteshvara, Manjushri, Vajrapani, and the Six Buddhas of the Wheel of Existence Darjeeling, India 20th–21st century mural
Avalokiteshvara, torma butter sculpture Labrang Monastery, Amdo region, eastern Tibet (Gansu Province, China) 2014 flour, butter, natural pigments
Avalokiteshvara, traced from a composition by Konchok Pende of E (from Situ’s set of Eight Great Bodhisattvas) Kham region, eastern Tibet 19th century pigments on cloth
Begtse (Jamsran) Mongolia late 19th century Gendendamba (late 19th–early 20th century) colors on cotton
Birth of Buddha Tibet 19th century pigments on cloth
Birth of Buddha Swayambhu, Nepal Shah period, 20th century stone
Birth of Buddha Lumbini, Nepal late Varman period, 3rd–4th century red sandstone
Black Cloak Mahakala Kham Province, eastern Tibet 18th century Situ Panchen (1700–1774) pigments on silk
Bogda Khan, Eighth Jibzundamba (ca. 1869–1924), and Yeke Dagini Dondugdulma, His Wife (1876–1923) Balduugiin “Marzan” Sharab (Mongolian; 1869–1939) photographically derived paintings
Boy grinding indigo and woman weaving a carpet, Pen-jor Lhun-po, near Gyang-tse Drongtse, Palha family estate near Gyantse, Tsang region, central Tibet 1933–1934 Charles A. Bell (British, 1870–1945) photograph
Buddha Kasyapa, Buddha Shakyamuni, and Maitreya (the Buddhas of the Past, Present, and Future) Phurdrup Monastery, Bhutan ca. 19th century Attributed to a sculptor of the Hephu tradition painted clay
Buddha Shakyamuni and Two Disciples Tibet 15th century attributed to Menla Dondrub pigments on cotton
Buddha Shakyamuni, central painting from a set of seven paintings Lijiang, Yunnan Province, China dated 1660 Tenth Karmapa, Choying Dorje (Tibetan, 1604–1674)
Buddha Vairochana Bimda Temple; near Jyekundo (present-day Qinghai Province, China) 806 stone with painted and textile decoration
Central Buddha Sculpture Khewang Lhakhang, Phobjikha, Bhutan date unknown painted clay
Project Himalayan Art
