Nyima Oser, One of the Eight Manifestations of Padmasambhava Tibet 18th century Gilt copper alloy
Bon Lama, Rinchen Gyeltsen (1415-1446) Central Tibet 18th century Gilt bronze
Four-faced Linga Nepal 18th - 19th century Silver Repoussé
Ganesha Madhya Pradesh, India 11th century Sandstone
The “Three Silver Brothers” Manjushri – Avalokiteshvara – Vajrapani (left to right) Western Tibet, Puhrang area early 13th century Brass with copper, silver and gilding
Stirrups belonging to the equestrian set of Yuthok Tashi Dhondup Tibetan, Derge ca. 1943–1947 copper alloy, gold
The Buddhist Deities Chakrasamvara and Vajravarahi Tibet (by a Newar artist) ca. 15th century mineral pigments and traces of gold on cotton cloth
Dorje Drolo, One of the Eight Manifestations of Padmasambhava Kham Province, Eastern Tibet 19th century Pigments on cloth
Loden Chokse, One of the Eight Manifestations of Padmasambhava Kham Province, Eastern Tibet 19th century Pigments on cloth
Orgyen Dorje Chang, One of the Eight Manifestations of Padmasambhava Eastern Tibet 19th century Pigments on cloth
Padmasambhava, Pema Jungne Kham Province, Eastern Tibet late 18th-19th century Pigments on cloth
Drenpa Namkha (ca. 8th century) Amdo Province, Eastern Tibet 19th century Pigments on cloth
Bon Lama Sanggye Lingpa (1705-1735) Gyelrong, Eastern Tibet 19th century Pigments on cloth
Takla Membar Tibet 19th century Pigments on cloth
Red Avalokiteshvara or Bunga Dya Nepal dated by inscription, 1818 pigments on cloth
Maitreya Procession at Lama-yin Gegeen-ü Khüriye Mongolia late 19th–early 20th century Gempil-yin Dorji (Mongolian, late 19th–early 20th century) colors on cotton
Maitreya Mongolia late 19th century Gendundamba (Mongolian, late 19th–early 20th century) colors on cotton
Panchen Lama rebirth lineage portraits, set of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
Kaumari Nepal 17th or 18th century Gilt copper alloy with semiprecious stone inlays
Phakpa of Lokeshvara of Lhasa Tibet or Nepal date uncertain wood with gold paint and colors
Cosmic Vishnu (Vishvarupa) Ushnisavijaya and Celebration of Old Age (Jyatha Janko) Buddha Shakyamuni Mold for an image of Tsongkhapa (1357-1419) Chariot Ritual (Bhimaratha Pata) Mold for clay image (tsatsa) of Vajrapani Mold for clay image (tsatsa) of Buddha Amitayus Bodhisattva Kshitigarbha Attendant Figure to Vaishravana Vajra and Bell Maitreya Skull Cup Chakrasamvara with Consort Vajravarahi Woodblock for printing prayer flag Stupa Chakrasamvara with Consort Woodblock for printing Tibetan text Sitatapatra Tara as Protectress from the Eight Fears Tara, as a Great Yogini, After a Set of Paintings “Twenty-seven Tantric Deities” designed by Situ Panchen (1700-1774) Vajravarahi Green Tara Padmasambhava Vasudhara Medicine Buddha Vasudhara, Goddess of Abundance Vajrayogini Medical Instruments Panjaranatha Mahakala Medical Painting on Prophylactics, Diagnosis, and Therapeutic Principles, Illustration to the Medical Treatise the Blue Beryl, Chapters 23–28 Lekden Mahakala Mahakala Vajrabhairava with Consort Vajravetali Buddha Vairochana Red Avalokiteshvara or Bunga Dya Heruka with Consort The Stages of Nepalese Lost-Wax Metal Casting Vishnu with the King of Snakes, Shesha Flying Naga Refuge Field with Machik Labdron (1055–1153) Life Story of Buddha Shakyamuni Siddhi Lakshmi Shiva Bhairava Buddha Shakyamuni and Teaching Stories (Avadana) Padmasambhava and his eight manifestations Arhat Ajita Buddha Amitayus Tsongkapa (1357-1419) Green Tara Manjushri Four-Armed Avalokiteshvara Mahasiddha Avadhutipa Ushnishavijaya Indrabhuti, from a set of the Eight Great Adepts (Mahasiddhas) Temple Banner with Seven Symbols of Royal Power and Offerings Chorten constructed in the memory of Kunga Drolchok (1507–1566) Namgyal Monastery; Mustang, Nepal ca. 1568
Decanter, Cup, and Rhyton Tibet mid- to late 7th or 8th century partially gilt silver
Demon-Binding Against Sickness Dolpo region, western Nepal ca. 1975 ink on paper
Deshay Maru Jhya (Deshay Maru Jhya (Window without an Equal) Yetakha tol; Kathmandu, Nepal ca. 18th century wood
Cover of a Prajnaparamita manuscript Newar, Kathmandu Valley, Nepal dated 1054 opaque watercolor on wood
Bunga Dyo, the Legend of Red Avalokiteshvara Nepal 1712 pigments on cloth
Detail of Fountain outside Bhaktapur Palace, showing sculpted stone spout Bhaktapur, Nepal 1688
Illustrated Manuscript Depicting the Story of Water Nepal 17th century pigments on paper
Detail of Makzor Gyelmo, Queen Who Repels Armies, from lower right of painting, showing four ladies with a range of vessels including a two-toned, open-top pitcher with spout and handle Amdo region, eastern Tibet 19th century pigments on cloth
Detail of Pegam Chest showing pitcher and chemar bo grain vessel on the central table as greeting offerings 19th century colors on wood
Detail of tashi gomang Tashichhodzong, Thimphu, Bhutan 17th century wood, brass, silver, gold plating, semi-precious stones, glass beads, clay statues
Donor Figure western Nepal/western Tibet 13th–14th century gilt copper
Durga Killing the Buffalo Demon (Durga Mahishasuramardini) Nepal 12th–13th century gilt copper alloy
Fourth Panchen Lobzang Chokyi Gyeltsen (1570–1662), with previous incarnations Tsang region, central Tibet mid-17th century Attributed by inscription to Choying Gyatso (act. 17th century) gold thangka; ground mineral pigment on cotton
Garudasana Vishnu Changu Narayan Temple; Nepal ca. 7th–8th century stone
Geluk Refuge Field with Tsongkhapa central Tibet ca. late 18th–early 19th century pigments on cloth
Pancharaksha (Five Protections ) illuminated manuscriptNepal 1138 Sri Ananda Buddhi, Nepalese (b. 12th century) ink and opaque watercolor on palm leaf
Goddess Marichi Mongolia late 17th or early 18th century Attributed to Zanabazar (Mongolian, 1635–1723) or his workshop gilt copper alloy
Green Tara central Tibet ca. 1260s gum tempera, ink, pigments, gold on sized cotton
Guru Padmasambha, the scholar manifestations of Padmasambhava Lo Gekhar Monastery, Mustang, Nepal mid-17th century papier-mâché
Handheld Prayer Wheel Tibet 19th–20th century jade, copper alloy, turquoise, glass, paper
Icon of Five Auspicious Long Life Sisters Bhutan clay
Jalamanusha (Merman) Nepal ca. 13th century copper alloy
Janbahadya, the White Avalokiteshvara of Jana Bahal, also known as Seto Macchendranath Kathmandu, Nepal date uncertain wood, paint
Jügdernamjil (Three Deities of Longevity) Mongolia late 19th century Jügdür (Mongolian, flourished late 19th–early 20th century) colors on cotton
Juu Shakyamuni with his pupils made in Dolonnuur, Inner Mongolia, decorated in Buryatia (Federation of Russia) 19th century gilded alloy of silver and other metals, turquoise and corals
Kadampa-style Reliquary Stupa Tibet 13th or 14th century copper alloy
Kalachakra (Dechingalba) Temple in Yekhe Khüriye Monastery Mongolia late 19th century photograph
Lacquered Wood Duomu Pitcher with Gold Floral Designs China 19th–20th century lacquer, wood, gold
Lama Chogyur Lingpa (1829–1870) Kham region, eastern Tibet 19th century pigments on cloth
Leg Bone Trumpet (Kang Ling) Tibet 18th–19th century human bone, copper, coral, leather
Life Portrait of the Sixth Zhamar, Garwang Chokyi Wangchuk (1584–1630) Tibet early 17th century (before 1630) silver
Life Story of Buddha Shakyamuni Tibet 19th century Pigments on cloth
Livestock Charm primarily Dolpo region, Nepal since 1975 ink on paper
Mahabuddha Temple Patan, Nepal 1564–1601
Mahasiddha Damarupa of a Lamdre lineage Namgyal Monastery, Mustang, Nepal 16th century
Maitreya Mongolia 1680s Zanabazar (1635–1723) gilt bronze with blue pigment in the hair
Maitreya Mongolia 1680s Zanabazar (1635–1723) gilt bronze with blue pigment in the hair
Major Events of the Buddha’s Life Northeastern India 12th century "Andagu" stone with pigments
Mandala of the Buddhist Deity Chakrasamvara Nepal dated 1490 mineral pigments on cotton cloth
Mandala of the Sun God Surya Surrounded by Eight Planetary Deities Nepal likely 1379 distemper on cloth
Manjushri, Avalokiteshvara, and Vajrapani Imperial Workshop, Nanjing or Beijing Yongle period (r. 1403–1424) gilt brass
Manjushri, Bodhisattva of Wisdom Tibet 11th century silver, inlaid with copper, with traces of blue pigment
Manjushri, torma butter sculpture Labrang Monastery, Amdo region, eastern Tibet (Gansu Province, China) 2014 flour, butter, natural pigments
Manuscript folio of illustrated instructions for the creation of an unidentified do effigy from a combination of namkhas Lo Montang, Mustang district, Nepal 19th century daphne paper
Map of Yekhe Khüriye Mongolia 19th century colors on cotton
Map of Yekhe Khüriye Mongolia late 19th century Balgan (act. late 19th century) colors on cotton
Molded Clay Image (Tsatsa) of a Stupa Molded in the Round Toling Monastery, Ngari region, western Tibet 11th–12th century sun-dried clay
Monk’s Cap Silver Pitcher Tibet 19th century gilt silver
Mount Meru Palace Mandala Yachengar Monastery, Kham region, eastern Tibet (present-day Sichuan Province) gilt metal repoussé
Nagarjuna and Aryadeva, after Situ’s set of The Six Ornaments and Two Excellent Ones Kham region, eastern Tibet 19th century pigments on cotton
Nine Deity Offering Mongolia 19th century pigments on cloth
Nineteenth-Century Copy of the Paubha Commemorating the Death of Pandita Vanaratna (1384–1468) Patan, Nepal 1862 opaque watercolors on cloth
Open tashi gomang Thimphu, Bhutan 19th–20th century wood, brass, silver, clay statues
Padmapani Lokeshvara Tibet 17th century Attributed to Tenth Karmapa, Choying Dorje (Tibetan, 1604–1674) ivory
Padmasambhava and His Eight Manifestations Tibet 16th century copper alloy
Padmasambhava Triad in Custom-Made Shrine Ghami Palace, Mustang, Nepal 18th century papier-mâché
Painted Scroll of Bhimaratha Ritual Hāku Bāhāḥ, Kathmandu, Nepal dated by inscription January 1830 distemper and gold on cloth
Painted Scroll of Laksha Chaitya Ritual Kathmandu, Nepal dated by inscription January 1808 opaque watercolor on cotton cloth
Painting of Machik Labdron (1055–1153) Kham region, eastern Tibet 19th century pigments on cloth
Pakpa Lokeshvara Nepal 7th century wood, gold paint
Pakpa Lokeshvara (copy of the original in the Potala Palace, Lhasa) central Tibet 13th–14th century wood with gold and paint
Palden Lhamo, torma butter sculpture Labrang Monastery, Amdo region, eastern Tibet (Gansu Province, China) 2014 flour, butter, natural pigments
Panjaranatha Mahakala Tibet 15th century stone with pigments
Panoramic Map of Mount Wutai Cifu Temple, Wutaishan, China 1846 Monk Lhundrub, engraver of Sanggai Aimag (Ulaanbaatar, Mongolia) woodblock print on linen, hand colored
Pema Lingpa Kunzangdrak Monastery, Bhutan statue
Pensive Avalokiteshvara Imperial Workshop, Nanjing or Beijing Yongle period (r. 1403–1424) gilt brass
Pensive Avalokiteshvara Gandhara 2nd–3rd century gray schist
Pensive Avalokiteshvara Swat 7th century brass
Pensive Avalokiteshvara on the back of Maitreya Statue Yecheng, Hebei Province 547 bas-relief, white stone
Portrait Sculpture of the Ninth Karmapa Wangchuk Dorje (1555–1603) Central Tibet 1598 Karma Rinchen (act. late 16th century) silver with pigment
Prajnaparamita with Devotees; folio from a Shatasahasrika Prajnaparamita manuscript (The Perfection of Wisdom) Toling Monastery, Ngari region, western Tibet 11th century ink, opaque watercolor, and gold on paper
Prayer Beads (trengwa) Tibet 19th century turquoise, bone, silver
Sixth Panchen Lobzang Pelden Yeshe (1738–1780), one of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
Manjushriyashas (Jampel Drak), one of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
Bhaviveka (Lekden Je, ca. 500–ca. 578), one of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
Abhayakaragupta (Jigme Jungne Bapa, d. 1125), one of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
Go Lotsawa Khukpa Lhetse (11th century), one of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
Sakya Pandita Kunga Gyeltsen (1182–1251), one of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
Yungton Dorje Pel (1284–1365), one of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
[First Panchen] Khedrubje Gelek Pelzang (1385–1438), one of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
[Second Panchen] Sonam Choklang (1439–1504), one of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
Subhuti (Rabjor), one of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
Fourth Panchen Lobzang Chokyi Gyeltsen (1567–1662), one of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
[Third Panchen] Wensapa Lobzang Dondrub (1505–1566), one of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
Fifth Panchen Lobzang Yeshe (1663–1737), one of thirteen thangkas copied from Nartang xylographic designs Tibet 19th century ground mineral pigment on cotton
Protective Astrological Chart Tibet late 18th or early 19th century pigments on cloth
Purpa Dagger Discovered by Pema Lingpa date unknown mixed metals and gilding
Ritual Bone Apron Tibet/Nepal 18th–19th century bone
Sculpted Image of Nyephu (Hephu) Trulku Sangag Gyeltsen (ca. 1600–1661) Neyphu Temple; Paro, Bhutan date unknown painted clay
Seated Bodhisattva China late 13th–14th century porcelain with relief decoration under bluish-white glaze
Seated Buddha Flanked by Maitreya and Avalokiteśvara Palola Shahi Kingdom April 23, 715 brass with silver
Second Jamyang Zhepa (1728–1791), torma butter sculpture Labrang Monastery, Amdo region, eastern Tibet (Gansu Province, China) 2014 flour, butter, natural pigments
Set of Saddle Plates Tibet or China ca. 1400 iron, gold, lapis lazuli, turquoise
Shakyamuni Donated by Dhandeva Shantipura, Svayambhu, Kathmandu, Nepal 15th century
Shakyamuni, torma butter sculpture Labrang Monastery, Amdo region, eastern Tibet (Gansu Province, China) 2014 flour, butter, natural pigments
Siddhi Lakshmi Nepal 17th century gilt copper alloy
Silver Juu (Tib. Jowo), Main Assembly Hall of Yekhe Juu Höhhot, Inner Mongolia, China 1579 silver and other metals
Situ Panchen as Patron of The Wish-Granting Vine Series of One Hundred and Eight Morality Tales, twenty-third painting after Situ’s set Kham region, eastern Tibet 19th century pigments on cotton
Skull Cup with Base Tibet 18th–20th century silver, turquoise, coral, brass alloy
Standing Bodhisattva with Yongle-period inscription in Chinese, Tibetan, and Sanskrit on the base China 15th century, Yongle period (1403–1424) gilt bronze
Standing Buddha Kashmir late 10th to early 11th century brass with silver and copper inlay
Standing Buddha Shakyamuni Bangemudha Tole, Kathmandu, Nepal 5th–6th century stone
Standing Buddha Shakyamuni Naka Bahi, Patan, Nepal 10th century stone
Standing Buddha Shakyamuni Northern Asoka Stupa, Patan, Nepal ca. 9th century stone
Statue of Amitayus, Dolonnuur style 19th century silver with colors
Statue of Ga Anyen Dampa (ca. 1230–1303) Degonpo Protector Chapel (founded 1284), Kardze, Kham region, eastern Tibet (Ganzi, Sichuan Province, China) 1980s re-creation clay
Statue of Manjushri Efi (efü?) khalkha süme, Shiliin Gol League (formerly in Chakhar), Inner Mongolia mid-18th century gilt copper alloy with lacquer and pigments, inset with gems
Statue of Seated Vairochana, East Temple, Level 5 (Bumpa) of the Gyantse Kumbum Gyantse Kumbum, Tsang region, central Tibet (present-day TAR, China) ca. 1427–1440 gilded copper
Statue of Shakyamuni Buddha Ravangla, Sikkim, India 2013 concrete base with gilded bronze body
Statue of Shakyamuni Buddha Tawang, Arunachal Pradesh, India 2015 concrete base with gilded bronze body
Statue of Shakyamuni Buddha (Buddha Dordenma) Thimphu, Bhutan 2015 concrete base with gilded bronze body
Statue of Shiva Solophok Hill, Namchi, Sikkim, India 2011 concrete
Statue of Ten Thousand Knives Padmasambhava, said to be made of melted knives offered by the local population in the aftermath of a murder Khamar Monastery, Dornogovi Province, Mongolia First half of 19th century, crown made in 2005 Two artisans from the Chinese metal workshops of Dolonnuur and local smiths following the instructions of the great reincarnate lama Danzin-Rabjai (1804–1856)
Statue of the bodhisattva Manjushri with Yongle reign inscription in Chinese on the lotus base China 15th century; Yongle reign (1402–1424) gilt brass, lost-wax casting
Statue of White Tara Dolonnuur, Inner Mongolia 18th or 19th century gilded bronze
Tara Tibet 17th century Atelier of Tenth Karmapa, Choying Dorje (Tibetan, 1604–1674) or later followers brass with pigments
The Dakini Nairatmya western Nepal/western Tibet 1300–1325 gilt copper
The Five Tathagata, or Cosmic Buddhas, Forehead Ornament for a Deity Newari, for the Nepal or Tibet market 17th–19th century gold, diamonds, rubies, emeralds, sapphires, garnet, lapis lazuli, coral, turquoise
The North Fort at Taku, China, 1860 North Fort at Taku, China 1860 Felice Beato (British, 1832–1909) albumen print
The Potala and the Principal Monuments of Central Tibet Tibet 19th century distemper on cloth
The Previous Lives of Buddha Shakyamuni Kham region, eastern Tibet 19th century pigments on cotton
The Wish-Granting Vine Series of One Hundred and Eight Morality Tales, twenty-first painting after Situ’s set Kham region, eastern Tibet 19th century pigments on cotton
Three-Headed One of the Black Rituals, Bonpo version of a partially constructed effigy House of Pema Dolkar, Kagbeni, Mustang, Nepal 2007 Lama Tshultrim of Lubrak (b. 1949, Lubrak, Mustang, Nepal) clay, wood, iron, barley dough, bamboo, woolen yarn, turmeric, ephedra
Three-Headed One of the Black Rituals, Nyingma Buddhist version of a ritual effigy Sanepa, Kathmandu, Nepal 1995 Lama Karma Tshering of Tshognam (b. 1951, Tetang, Mustang, Nepal) clay, wood, iron, barley dough, bamboo, woolen yarn, chemical dyes
Throne of the Patan Kings Patan, Nepal 1666 gilt copper, wood, modern upholstery
Torana over the Main Entrance of Chusya Baha Kathmandu, Nepal 1663 wood
Tsangnyon Heruka (1452–1507) Tibet 16th century gilt metalwork with semiprecious stone inlay
Two Stirrups Mongolian 16th–17th century iron, gold, silver
Unidentified Deity Seated on a Cow (Yama?) Tibet 17th century Attributed by inscription to Tenth Karmapa, Choying Dorje (Tibetan, 1604–1674) copper with traces of gilding
Uninscribed representation of Lowo Khenchen, identified on the basis of his distinct physical features and the workmanship Lo (Mustang) 16th century bronze with silver and red copper inlays
Ushnishavijaya Nalanda, Bihar, India ca. 11th–12th century stone
Vairochana Chokhor or Konchosum Lhakhang, Bumthang, Bhutan date unknown painted clay
Vairochana and the Eight Bodhisattvas Markham, Tibet (present-day TAR, China)
Vairochana of the Glacier Lake Jowo chapel, Jokhang Temple; Lhasa, U region, central Tibet (present-day TAR, China) clay with pigments and matte gold
Vajracharya Priest’s Crown Nepal dated 1145 copper, gold, lapis lazuli
Vajradhara and Consort Nepal 1488 distemper on cloth
Vajradhatu (Diamond Realm) Mandala central Tibet 14th century distemper and gold on cloth; 36×29½ in. (91.4 × 74.9 cm); The Metropolitan Museum of Art, New York; Lent by The Kronos Collections
Vajrapani Mongolia late 19th century Tsend, Tavkhai Bor, Danjin, Baldangombo, and Khasgombo appliqué, embroidery
Vasudhara Mandala Nepal dated 1777 (Samvat 897) distemper on cloth
Vasudhara, Goddess of Abundance Nepal dated 1082 gilt copper with semiprecious stones and traces of vermilion
Vasudhara, in the shrine known as Vasupura adjacent to the Svayambhu chaitya Kathmandu, Nepal
Victory over Mara Mongolia? 19th century Pigments on cloth
Virupa China Yongle period (1402–1424) gilt-copper alloy
Virupaksa, the guardian of the West, one of the Four Guardian Kings of the four directions of the universe Tibet or North China 15th century copper gold and semiprecious stones (lost-wax method)
Woodblock for Printing Prayer Flags with Print Himalayan region 15th–19th century pigments on wood
Yamantaka Palace Mandala Potala Palace, Lolang Lhakhang, Lhasa, U region, central Tibet 1751 gilt brass repoussé on wooden armature, with precious stone and other inlays
Zhitro Mandala 2000 Pema Namdol Thaye (American, b. 1967, Bhutan) gilt metal on wooden armature, polymeric resin compound (for minor decorative caste motifs such as animals, tassels, banners, and Buddhist emblems), semi-precious stone inlays, pearls, colored glass, and more
“Cloud Faced” Black-Cloaked Mahakala Tibet 16th century either painted or inscribed by the Eighth Karmapa (1507–1554) ink and gold line on cloth
A large torma (dough-and-butter sculpture) representing Tsochok Khagying and his consort, standing on an altar in front of a clay image of the same pair of divinities Lubrak Village, Mustang District, Nepal
Amitayus, torma butter sculpture Labrang Monastery, Amdo region, eastern Tibet (Gansu Province, China) 2014 flour, butter, natural pigments
Arhat, possibly Vanavasa Imperial Workshop, Nanjing or Beijing Yongle period (r. 1403–1424) ink, pigments, and gold on silk
Avalokiteshvara Kashmir early 11th century brass or metal alloy with copper and silver inlay
Avalokiteshvara Yatse Kingdom (Khasa Malla Kingdom), western Nepal/western Tibet ca. 13th–14th century gilt-copper alloy
Avalokiteshvara seated in the Maharajajila posture China ca. 10th–13th century limestone
Avalokiteshvara in His Potala Pure Land Tibet late 18th–early 19th century pigments on cloth, silk brocade, cotton backing
Avalokiteshvara, after Situ’s set of Eight Great Bodhisattvas Kham region, eastern Tibet 19th century pigments on cotton
Avalokiteshvara, torma butter sculpture Labrang Monastery, Amdo region, eastern Tibet (Gansu Province, China) 2014 flour, butter, natural pigments
Avalokiteshvara, traced from a composition by Konchok Pende of E (from Situ’s set of Eight Great Bodhisattvas) Kham region, eastern Tibet 19th century pigments on cloth
Banquet Set with Ewer, Decanter, and Plate Tibet Yarlung dynasty, 600–800 hammered gold, turquoise
Baruun Örgöö, Abatai Khan’s Yurt in Yekhe Khüriye Yekhe Khüriye, Mongolia late 19th century Aleksei Pozdneev (Russian, 1851–1920) photograph
Begtse (Jamsran) Mongolia late 19th century Gendendamba (late 19th–early 20th century) colors on cotton
Birth of Buddha Tibet 19th century pigments on cloth
Birth of Buddha Swayambhu, Nepal Shah period, 20th century stone
Birth of Buddha Lumbini, Nepal late Varman period, 3rd–4th century red sandstone
Boddhisattva Avalokiteshvara Nepal 6th–7th century wood, white gesso, polychrome paint
Bodhisattva China 13th century lacquer, cloth, traces of blue, gold, and green paint, gold leaf
Buddha Kasyapa, Buddha Shakyamuni, and Maitreya (the Buddhas of the Past, Present, and Future) Phurdrup Monastery, Bhutan ca. 19th century Attributed to a sculptor of the Hephu tradition painted clay
Buddha Shakyamuni Rajarajeshvari Ghat, Pashupatinatha, Kathmandu, Nepal ca. 10th century
Buddha Shakyamuni Bhinche Baha, Patan, Nepal 8th–9th century
Buddha Vairochana Bimda Temple; near Jyekundo (present-day Qinghai Province, China) 806 stone with painted and textile decoration
Bungama Lokeshvara in [of] Nepal Depicted as a Conventional Avalokiteshvara Nepal 1701
Celestial Musician (Kinnara) Playing a Pipa (Lute) Tibetan Empire 608–866 gilded silver
Central Buddha Sculpture Khewang Lhakhang, Phobjikha, Bhutan date unknown painted clay
Project Himalayan Art
